No book can sum up all of the Holocaust, but this graphic novel seems to contain every possible human emotion. Remarkably,...
The most moving scenes of this graphic novel have no words at all.
Lizano draws people the same way that small children do: a giant oval for the head and two dots for the eyes. But his people always have complicated expressions on their faces. They never show just one emotion. They’re angry and perplexed or cheerful and bemused. (Colorist Salsedo supplies a sad, muted palette that complements the mood perfectly.) When the Nazis force the Jews to wear yellow stars, Dounia’s mother looks frightened and furious and bewildered. Her father looks surprisingly happy. He says, “This morning, I was at a big meeting. Some people suggested that we become a family of sheriffs.” He says it very calmly, and Dounia doesn’t realize for a long time afterward that he was telling a comforting lie. This should be a sad story, but the family lives through the darkest moments of the war with determination and grace and even humor. Dounia doesn’t let her emotions fully register until years later, when she’s telling the story to her granddaughter. On the last pages of the book, in a few quiet, powerful panels, her face shows grief and guilt and fear and resignation.
No book can sum up all of the Holocaust, but this graphic novel seems to contain every possible human emotion. Remarkably, most of the time, it does it with an oval and two dots. (Graphic historical fiction. 6-13)Pub Date: April 1, 2014
ISBN: 978-1-59643-873-6
Page Count: 80
Publisher: First Second
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
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