Beautifully tragic, this should garner Yamanaka the wider attention she deserves.
In this superb seventh novel from Yamanaka (Father of the Four Passages, 2001, etc.), the ghosts of children curse the living, and a young woman finds salvation in early-20th-century Hawaii.
Anah Medeiros finds some consolation in being sent to St. Joseph’s to recover from tuberculosis—she can comfort her young sisters Leah and Aki, already there. And at least away from home, she’ll be safe from her brute of a father, a Portuguese laborer who molests her on drunken mornings, and she can escape her Japanese mother’s decline into numb sorrow. Abandoned at St. Joseph’s, the girls are beaten and berated by the nuns who deem them unclean half-breeds. Only Leah has some joy, in the form of ghostly Seth, a dairyman’s son who died tree-climbing on the grounds. Soon, though, Leah dies, as does fierce Aki, leaving Anah alone, but not alone, as she is now haunted by a crying Leah, a violent, naked Aki, a silent Seth and the legions of children who have died at St. Joseph’s, begging Anah to take them home, feed their hunger, find their mothers. Yamanaka creates a heartbreaking portrait of these ghost children, made more wretched when Anah’s father dies, and in his spirit form begins to abuse Aki and Leah. Anah finds a friend in Sister Mary Deborah, who teaches her everything about beekeeping, and Anah finds love in Ezroh Soares, Seth’s brother. When she turns 18, Ezroh steals her away from St. Joseph’s and into marriage, but Seth puts a curse on Anah that all her children will be girls and monsters. Yamanaka’s magical story of Anah is also an uncompromising depiction of a hard immigrant life in Hawaii, of Chinese opium dens and Japanese laborers and Portuguese cowboys and whites eager to tame the lot of them. Finally, though Anah becomes prosperous in the beekeeping business, Seth’s curse holds sway and Anah must sacrifice what she loves best so the crying ghost children can find their way home to God.
Beautifully tragic, this should garner Yamanaka the wider attention she deserves.Pub Date: Feb. 7, 2006
ISBN: 0-374-11015-8
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2006
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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