A sharp, funny, and fast-paced (occasionally manic) first novel that takes us backstage in paradise—into the very heart and soul (and guts) of a working-class Japanese-American family on the island of Hawaii. The narrator is young Lovey Nariyoshi, and, as she herself might tell you, she one big haole wannabe. That's how Lovey talks, and that's how everybody she knows talks—except for haole teachers like Mr. Harvey who try, to no avail, to educate the Japanese- American kids out of saying dis and dat and wuz and cuz. Lovey's family is poorer than most—the book's title refers to her father's many schemes to find meat, including roadkill, to put on the family table. And Lovey's constant quest, once she realizes she can never have haole ringlets like Shirley Temple, is at least to have clothes that don't look laughably homemade. Along with best friend Jerome and, occasionally, her younger sister Calhoun, Lovey embarks on a series of misadventures all in the cause of a better life. These include such events as selling stolen marijuana cigarettes to finance the purchase of new Barbie and Ken dolls; getting caught up in the religious zeal of a crazed teacher who sees the devil behind every door; and spying on Jerome's brother in the throes of passion with his girlfriend. For much of the novel—too much of the novel- -these mishaps read like a series of hilarious but disjointed episodes. It's not until the third and final section that events and people are linked into a compelling narrative and we really begin to understand what Yamanaka, a Pushcart Prizewinning poet and short-story writer, is capable of. And though it's a risky undertaking to write a whole novel in dialect, it works here on the whole, the speech patterns resonating like poetry. Too fragmented at the start, but a finish that's more luminous than a Hawaiian sunset. (Author tour)
Pub Date: Jan. 1, 1996
ISBN: 0-374-29020-2
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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