Elsie doesn't know what's worse: living in the garage with your mom, grandmother and uncle behind the house that used to be home or having your father abandon you. Then her mother and uncle also leave, supposedly for jobs. Her miserable situation is all because of the Depression, which is affecting families everywhere. Her best friend, Scout, who is going to be a newspaperman, helps her search for her dad. But when Rev. Hampton takes them to see the dance marathon to show how exploitative it is, clues begin to add up. The Canadian setting and dialogue establish context for the terms hoboes, shantytowns and the phrase, "could you spare a dime." Though today’s readers won’t be familiar with the Depression, dance marathons or references to Bing Crosby, cribbage and Eaton’s catalog, the search for family and relationships in tough times rings true. The evocative title refers to the coins thrown at a favored dance couple. Once past the unappealing cover, readers will find an absorbing and perceptive story. (Historical fiction. 9-12)
Pub Date: Oct. 1, 2010
ISBN: 978-1-55469-280-4
Page Count: 192
Publisher: Orca
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
BOOK REVIEW
The success of Mah’s memoirs (Falling Leaves, 1997, for adults and Chinese Cinderella, 1999, for kids) led to her well-received novel Chinese Cinderella and the Secret Dragon Society (2005) and historical overview China: Land of Dragons and Emperors (2008). Here, she tries to combine them all, blithely and unwisely stepping beyond her literary capabilities. Readers initially meet CC (the character from the previous novel) on what seems to be a mission in World War II China. Chased, she falls and enters a coma. A doctor hypnotizes her, and readers shift to the Song dynasty and CC’s previous life in a star-crossed romance, observing the scene in the famous painting Along the River at the Qing Ming Festival. Both setting and emotional tension rely heavily on cliché and exclamation points. The author abuses dialogue to cram in historical details (a visitor exclaiming “Good tea!” is treated to an encyclopedic definiton of white tea). It is unclear what story she is trying to tell: the romance? the story of the painting? the bookend of CC’s coma, which will be inexplicable to readers unfamiliar with the previous novel? As none succeed, the question may go unanswered. (Fiction. 9-12)
Pub Date: Sept. 14, 2010
ISBN: 978-0-385-73895-8
Page Count: 208
Publisher: Delacorte
Review Posted Online: July 29, 2010
Kirkus Reviews Issue: Aug. 15, 2010
BOOK REVIEW
BOOK REVIEW
It's 1937, and Anya is becoming accustomed to Shanghai. Her family had to flee Odessa in the night after Papa told that ugly policeman he wouldn't join the Communist Party. Now China is home for her whole family: Papa, Mama (a former opera singer), Mama's parents, Babushka and Dedushka, and baby brother Georgi. In Shanghai's French Quarter, they live Jewish lives as if the Japanese weren't advancing on the city. Anya's biggest worry is the prospect of telling her mother she doesn't want to become an opera singer—until the day she finds a baby in the gutter. Will Mama and Papa let her keep the baby? Anya's Shanghai is richly chaotic, polyglot and packed with refugees. Russian, Yiddish, Hebrew, Mandarin Chinese and Italian pepper the dialogue. Meanwhile, immigrant Anya happily devours her buckwheat piroshki with chopsticks after Papa has recited the Hebrew blessings over the food. The chaos of the prose is less felicitous; characters whisk between conversations without segue. A delightfully textured—but confusingly rushed—glimpse at a little-remembered period of Jewish history. (Historical fiction. 10-12)
Pub Date: Feb. 1, 2011
ISBN: 978-0-312-37093-0
Page Count: 208
Publisher: Feiwel & Friends
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: Jan. 1, 2011
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