A poignant historiography of Anne Frank’s writing and the author’s response to it.
A writer reflects on Anne Frank’s diary, attentive to its ongoing significance for the world.
In her 2022 novel Reeling, French author Lafon explored the lives of young female dancers in the 1980s, exploited by middle-aged men purporting to help them, and the aftermath of their abuse. In her 2016 novel The Little Communist Who Never Smiled, she wrote a fictional account of gymnast Nadia Comaneci’s childhood in Romania, which ends with the gold medalist’s daring defection to the U.S. Here, Lafon explores the circumstances surrounding another young woman in peril: the writer Anne Frank. Blending historical fact, interviews, Frank’s writing, and personal rumination, the book chronicles a night that Lafon spends at the Anne Frank House in Amsterdam, with full access to its exhibits and the annex where the Franks lived in secret for two years evading the Nazis. Lafon is unflinching in her observations of the museum—“Everything here wants to be as authentic as possible, and yet none of it is, except for this oppressive feeling of absence”—and in her questions: “When did Otto Frank finally realize that the faith he had placed in their adoptive country was a tragic mistake?” One of the most striking revelations is how normal the Franks’ lives seemed shortly before they went into hiding—Anne posed with her sister at the beach for a photo—and how that sense of normalcy was something they strived to maintain—Anne pinned her favorite film stars to the walls in the annex—as their world unraveled. We learn that after the Nazis captured the Franks, it was Miep Gies, one of Otto’s employees, who not only cared for them while they hid, but who, at great personal risk, saved Anne Frank’s diary from being destroyed. The Franks’ story and the author’s quest to investigate her own experience intertwine to create a testament to the power of words.
A poignant historiography of Anne Frank’s writing and the author’s response to it.Pub Date: Nov. 18, 2025
ISBN: 9780300275889
Page Count: 184
Publisher: Yale Univ.
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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