Leedy (Celebrate the 50 States!, 1999, etc.) has a gift for presenting concepts wrapped in stories both easily assimilated and engaging. Here, Lisa and her Boston terrier, Penny, last seen in Measuring Penny (1998), tackle maps and mapping. Mr. Jayson, Lisa’s teacher, shows what’s important to include in a map, with illustrations of the map key, symbols, labels, the compass rose, and the scale—each carefully explained. Lisa decides to map her bedroom, complete with all the essential parts. Then she makes a treasure map for all the things Penny has buried in the back yard. She draws a directional map to show how Penny’s doggy friend Maxine takes a short cut to get to Penny’s house, and Lisa uses an odometer and pedometer to map the bike and hiking trails in the park. Not to neglect Penny, she builds a three-dimensional map to show all of Penny’s favorite places to fetch or to bark at squirrels. Lisa dreams of traveling with Penny to faraway places, too. Leedy’s blocky forms and poster paint colors (created with digital painting and photo collage) are a fine foil for the clear text, which teaches without patronizing. (Picture book/nonfiction. 7-9)
Pub Date: Sept. 1, 2000
ISBN: 0-8050-6178-9
Page Count: -
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
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