A rare miss for Long and Otis
As the title indicates, the little tractor Otis celebrates Christmas.
Christmas is always exciting, but this one is “even more special,” as a baby foal is due. That snowy Christmas Eve is made more thrilling yet when the farmer gives Otis his very first Christmas present: a new horn. Otis can barely contain himself. But in the middle of the night, he awakes to hear the sounds of consternation in the pregnant mare’s stall: “Something [is] very wrong.” Unfortunately, the snow is falling fast, and the stable hand sent to fetch Doc Baker promptly fishtails into a snowbank. It’s Otis to the rescue again. Off he goes, “putt puff puttedy chuff,” through the woods (where he is briefly lost) to Doc Baker’s, where he uses his new horn to sound the alarm. Doctor and tractor make it back just in time. While Otis is a charming character, and the Christmas theme has great appeal, this is a rather lackluster outing for the sturdy tractor. Long’s heroic art is at its best in scenes with people and animals, his Lawson-esque line investing characters with emotion and movement. The rendition of Otis’ journey is rather less effective; only the most credulous of children will accept the sight of Otis inching his way down a massive, snow-covered tree trunk. The text likewise underwhelms, with its overreliance on exclamation points and treacly delivery.
A rare miss for Long and Otis . (Picture book. 3-5)Pub Date: Oct. 22, 2013
ISBN: 978-0-399-16395-1
Page Count: 40
Publisher: Philomel
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
SEEN & HEARD
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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