A serviceable contribution to cumulative-song collections or surprise-ending collections.
A familiar cumulative folk song gets a mild tweak.
This time, the setting is a lake floor. “There’s a hole in the log on the bottom of the lake”; “There’s a frog in the hole in the log on the bottom of the lake”; and so on. It’s better sung than recited, and musical notation can be found at the end. On the frog is a hair (one corkscrew curl growing upward), and then a fly on the hair, and then a gnat on the fly. The underwater atmosphere is dark green, with brown, beige, and lighter greens. Long’s acrylic-and–colored-pencil illustrations are an odd mix of styles: The frog is cartoony, especially when grinning and licking its lips in anticipation of a fly-gnat feast, whereas members of a school of goldfish are delicate and luminescent. The climax is a sudden “uh-oh. Chomp, snap, gulp!”—with an intriguing partial ambiguity about exactly who gets chomped. Throughout, a tiny snail and turtle provide wry counterpoint to the verse’s formal structure. The turtle offers commentary, sometimes amusing (when the song uses the lyric “hole,” he asks, “A whole what? It just looks empty to me”), sometimes confusing (he punnily grumps that someone must be “too cool for school” when, at that moment, the accused snail is joining a school of fish), and slapstick humor (“Dial 911! Turtle on its back! Emergency! Turtle freaking out!”).
A serviceable contribution to cumulative-song collections or surprise-ending collections. (musical notation, song lyrics) (Picture book. 3-7)Pub Date: Sept. 25, 2018
ISBN: 978-0-399-16399-9
Page Count: 40
Publisher: Philomel
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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