A serviceable contribution to cumulative-song collections or surprise-ending collections.
A familiar cumulative folk song gets a mild tweak.
This time, the setting is a lake floor. “There’s a hole in the log on the bottom of the lake”; “There’s a frog in the hole in the log on the bottom of the lake”; and so on. It’s better sung than recited, and musical notation can be found at the end. On the frog is a hair (one corkscrew curl growing upward), and then a fly on the hair, and then a gnat on the fly. The underwater atmosphere is dark green, with brown, beige, and lighter greens. Long’s acrylic-and–colored-pencil illustrations are an odd mix of styles: The frog is cartoony, especially when grinning and licking its lips in anticipation of a fly-gnat feast, whereas members of a school of goldfish are delicate and luminescent. The climax is a sudden “uh-oh. Chomp, snap, gulp!”—with an intriguing partial ambiguity about exactly who gets chomped. Throughout, a tiny snail and turtle provide wry counterpoint to the verse’s formal structure. The turtle offers commentary, sometimes amusing (when the song uses the lyric “hole,” he asks, “A whole what? It just looks empty to me”), sometimes confusing (he punnily grumps that someone must be “too cool for school” when, at that moment, the accused snail is joining a school of fish), and slapstick humor (“Dial 911! Turtle on its back! Emergency! Turtle freaking out!”).
A serviceable contribution to cumulative-song collections or surprise-ending collections. (musical notation, song lyrics) (Picture book. 3-7)Pub Date: Sept. 25, 2018
ISBN: 978-0-399-16399-9
Page Count: 40
Publisher: Philomel
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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