Children whose parents travel frequently for their jobs are probably this book’s best audience, but others may get ideas for...
Bunny is very unhappy when his mother announces that she is going on a business trip.
Maybe he can accompany her, but Mama says her “business trip is just for grown-ups.” She leaves him with a five-day calendar with a red heart marking her return on Friday. Bunny is still upset at bedtime and wishes “we could go somewhere little bunnies can go, too.” This plaintive cry starts Papa’s creative juices flowing. Papa and Bunny make a cardboard car and visit a beach on Tuesday, a “wintry wonderland” on Wednesday, and a jungle on Thursday. After Bunny has a meltdown when he’s reminded of Mama, Papa suggests that they make a “welcome home sign,” but Bunny has his own thoughts. He and Papa transform the living room into “CAMP MAMA,” with cardboard trees, a pup tent, a fake fire, and lots of real marshmallows. These fully dressed white bunnies live in a suburban house. Its paintings and photos feature tall-eared rabbits (except for the child, whose short right ear sports a jaunty, purple paper crown). There’s even a concert poster for “Jimmy Bunnett.” The amusing, digitally finished ink-and-watercolor illustrations are more of a draw than the simple, brief text, and the recurring calendar emphasizes the days of the week.
Children whose parents travel frequently for their jobs are probably this book’s best audience, but others may get ideas for their own imaginary travels. (Picture book. 4-6)Pub Date: Feb. 27, 2018
ISBN: 978-0-545-92589-1
Page Count: 32
Publisher: Scholastic
Review Posted Online: Oct. 27, 2017
Kirkus Reviews Issue: Nov. 15, 2017
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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