This odd, dark and often creepy tale of a dysfunctional community and a family that fits right in will keep readers...
Roy’s suspenseful debut novel presents readers with a rich mix of troubled characters planted against the backdrop of a small Kansas farming town and the mysterious deaths of two young girls.
In the turbulent 1960s, Arthur and Celia Scott leave rioting Detroit behind with their three children and move back to Arthur's childhood home in Kansas. His mother, Reesa, and sister, Ruth, still live there, but things have not been going well with Ruth, long married to the drunken bully who once loved their sister, Eve. The fragile blonde Eve died violently many years ago, her body found in the shed on the Scott property. The community’s consensus is that Ray murdered Eve; whether or not the charge is true, her death certainly turned his life to ruins. Soon the family settles in: Arthur and Celia’s oldest daughter meets and falls for a local boy, while young Daniel, their son, struggles to become a man in a town where he has no friends and a father who doesn’t believe in him. Meanwhile, the youngest child, Eve-ee, who like her namesake aunt is both small and fair, finds kinship with her long-dead relative, who left behind a closet of beautiful dresses and a sad statue of the Virgin Mary. When another local girl, also blonde, petite and Eve-ee’s age, disappears and is feared murdered, the Scotts reexamine the circumstances surrounding Eve’s death. Soon Ruth finds herself once again on the receiving end of one of Ray’s beatings, but this time she has Arthur to shield her. Eventually, the Scott family realizes the truth about what happened to Eve, and Ruth deals with the frightening future she faces if she stays with her husband. Roy, a former tax accountant, writes sparingly of the bleakness of life and death on a farm. In her hands, the plot twists and turns, but, in the end, all the pieces fit, although the denouement is unsettling.
This odd, dark and often creepy tale of a dysfunctional community and a family that fits right in will keep readers wondering right until the last page.Pub Date: March 31, 2011
ISBN: 978-0-525-95183-4
Page Count: 368
Publisher: Dutton
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 15, 2011
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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