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WHEN A DUKE LOVES A WOMAN

From the Sins for All Seasons series , Vol. 2

A tale that initially seems poised to challenge Cinderella conventions but fails to fulfill that promise, as if it wanted a...

In the second novel in the Sins for All Seasons series, a duke looking for his runaway bride stumbles into the path of a Whitechapel businesswoman and finds himself rethinking his arranged marriage.

In a scene reminiscent of Lisa Kleypas’ beloved Dreaming of You, this Victorian romance by Heath (Beyond Scandal and Desire, 2018, etc.) begins with Antony "Thorne" Coventry being rescued from a mugging in the London slums by Gillie Trewlove. A tavern owner with a heart of gold and illegitimate parentage, she nurses the stranger back to health in her apartment. The reader is told that her solicitousness is partly due to her attraction to his naked (mostly unconscious) self, and he returns her feelings in between bouts of passing out. After a few discomfiting passages about this insta-lust and at least two in which the sole action consists of Gillie being startled by any move Thorne makes, it's a relief when he recovers and leaves. The plot is then padded by his decision to return to Whitechapel, which Gillie knows better than he does, and hire his new object of desire to locate his absconding fiancée—as one does. The nunlike, independent, workaholic Gillie, who has every reason to be wary of upper-class men, agrees to this scheme because she finds him inexplicably fascinating. Yet it's hard to like Thorne, who is not a rake but somehow shoddier—a good guy who is nevertheless more interested in sex than in thinking about its consequences for a single, working woman. Gillie, written as a gruff do-gooder, is more interesting at the beginning than after she gets involved with this bland romance-novel aristocrat. Nonetheless, the story might please fans of the “London slum” subset of historical romance, of which Elizabeth Hoyt’s Wicked Intentions is a notable example.

A tale that initially seems poised to challenge Cinderella conventions but fails to fulfill that promise, as if it wanted a claim to progressive politics but could not imagine a real alternative to gilded-cage tradition.

Pub Date: Aug. 21, 2018

ISBN: 978-0-06-267604-7

Page Count: 400

Publisher: Avon/HarperCollins

Review Posted Online: May 28, 2018

Kirkus Reviews Issue: June 15, 2018

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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