edited by Lorrie Moore & Heidi Pitlor ‧ RELEASE DATE: Oct. 6, 2015
Though certainly not the last word on American short fiction, a collection of uncommonly high value.
An anthology of an anthology, packed with some of the best short fiction ever committed to print.
Aficionados of the “Getting Things Done” system of time management will appreciate that Best American Short Stories founding editor Edward J. O’Brien was “almost pathologically organized,” useful for dealing with the flood of stories he received on conceiving the annual prize volume. That was back when short stories, as the editors note, “were the preferred entertainment in the United States,” not the currency of MFA workshops and suburban book clubs. Tastes change: there’s a world of difference between Ring Lardner and Jamaica Kincaid, and if the two might have enjoyed a conversation, the editors might have commented a touch more about how the short story genre has evolved in the century since O’Brien got to work. For the moment, it’s worth marveling at how Edna Ferber’s “The Gay Old Dog” reflects a world gone by in its very title, an age of “loop-hounds,” kerchiefs, and waistcoats; one wonders whether George Saunders’ postmodernly busy “The Semplica-Girl Diaries” will seem similarly fusty a century from now, whether Robert Stone’s evocations of the Vietnam War will have any meaning then. There are classic and even some canonical pieces in the book and plenty of big names from Hemingway and Cheever to Munro and Oates, and if there are no surprises here—after all, they’re known prizewinners, with all the baggage good and ill that prizes carry—an aspiring writer could do worse than have this as a handbook. Some standouts: Sherman Alexie’s sharply observed portrait of Skid Row (“Rose of Sharon, Junior, and I carried our $20 bill and our five dollars in loose change over to the 7-Eleven and bought three bottles of imagination”); Akhil Sharma’s portrait of Indian immigrant life, “If You Sing Like That for Me”; and Moore’s highly entertaining if refractive introduction.
Though certainly not the last word on American short fiction, a collection of uncommonly high value.Pub Date: Oct. 6, 2015
ISBN: 978-0-547-48585-0
Page Count: 752
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 13, 2015
Kirkus Reviews Issue: Aug. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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