Though certainly not the last word on American short fiction, a collection of uncommonly high value.
An anthology of an anthology, packed with some of the best short fiction ever committed to print.
Aficionados of the “Getting Things Done” system of time management will appreciate that Best American Short Stories founding editor Edward J. O’Brien was “almost pathologically organized,” useful for dealing with the flood of stories he received on conceiving the annual prize volume. That was back when short stories, as the editors note, “were the preferred entertainment in the United States,” not the currency of MFA workshops and suburban book clubs. Tastes change: there’s a world of difference between Ring Lardner and Jamaica Kincaid, and if the two might have enjoyed a conversation, the editors might have commented a touch more about how the short story genre has evolved in the century since O’Brien got to work. For the moment, it’s worth marveling at how Edna Ferber’s “The Gay Old Dog” reflects a world gone by in its very title, an age of “loop-hounds,” kerchiefs, and waistcoats; one wonders whether George Saunders’ postmodernly busy “The Semplica-Girl Diaries” will seem similarly fusty a century from now, whether Robert Stone’s evocations of the Vietnam War will have any meaning then. There are classic and even some canonical pieces in the book and plenty of big names from Hemingway and Cheever to Munro and Oates, and if there are no surprises here—after all, they’re known prizewinners, with all the baggage good and ill that prizes carry—an aspiring writer could do worse than have this as a handbook. Some standouts: Sherman Alexie’s sharply observed portrait of Skid Row (“Rose of Sharon, Junior, and I carried our $20 bill and our five dollars in loose change over to the 7-Eleven and bought three bottles of imagination”); Akhil Sharma’s portrait of Indian immigrant life, “If You Sing Like That for Me”; and Moore’s highly entertaining if refractive introduction.
Though certainly not the last word on American short fiction, a collection of uncommonly high value.Pub Date: Oct. 6, 2015
ISBN: 978-0-547-48585-0
Page Count: 752
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 13, 2015
Kirkus Reviews Issue: Aug. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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