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THE SNOWFLAKE MISTAKE

This buoyant picture book is just right for snowy, wintry days.

A British import presents a single parent and her child in a most unusual setting.

High atop the clouds is a machine that makes snowflakes. Each flake is carefully stamped out so they all look exactly alike. In fact, the Snow Queen demands it. “If any don’t match, they’re not fit to be seen!” But Princess Ellie doesn’t share her mother’s desire for perfection. She would rather be dreamily sketching or chasing birds down rainbow slides. One day gray clouds roll in, and the townspeople below expect snow. But the queen is not there to run the machine! Princess Ellie, slacking in her duties, quickly pushes the “DOUBLE SPEED” button, but the machine breaks. Luckily, with some imaginative scissor snips, snow still falls—in many creative shapes. Decorated in icy blues (even the queen and princess have blue-tinted hair), Frost’s patterned illustrations chill and swirl. The royal duo is white, but the town below has more diversity. The vibrant cadence propels the story: “She hugs Ellie proudly. ‘You’ve been very clever. / I love the new flakes. It’s the best snowfall ever!’ ” Instructions for making paper snowflakes are appended.

This buoyant picture book is just right for snowy, wintry days. (Picture book. 4-7)

Pub Date: Oct. 1, 2018

ISBN: 978-1-848863-12-5

Page Count: 32

Publisher: Maverick Publishing

Review Posted Online: July 23, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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