by Louis de Bernières & illustrated by Alan Baker ‧ RELEASE DATE: Sept. 11, 2001
The thousands of readers who loved Corelli’s Mandolin have waited impatiently for its author’s next novel, so one...
De Bernières’s first book since his immensely popular fourth novel, Corelli’s Mandolin (1994), is a slender collection of 15 brief interrelated tales about a legendary mutt (1971–79) who became the beloved honorary “mate” of laborers in the salt- and iron-works of northwestern coastal Australia.
Variously named “Tally,” “Red Dog,” and “Bluey,” he’s a “Red Cloud kelpie, a fine old Australian breed of sheepdog” renowned for his restlessness, voracious appetite and libido, and quite remarkable flatulence. De Bernières recounts a series of only mildly interesting adventures in which Red Dog roams the countryside and “bush” (“hitching rides” in vehicles whose engine noises he memorizes), bonds with a half-Maori bus driver named John, who becomes the vagrant canine’s de facto master (until he dies of injuries sustained in a motorcycle accident), and with other smitten humans, hooks up with the equally ornery “Red Cat” (a feline brawler who becomes Red Dog’s unlikely friend), and circumvents the disapproval of Aussie animal-haters everywhere. The story has some charm, but it’s awfully slack, its paragraphs swollen by pointless filler (Red Dog’s women friends “shopped for souvenirs, but didn’t find anything that they really liked,” etc.). The dog himself (“this obstinate, valiant soul who seemed such a typical Western Australian”) has an appealing grittiness, but the adults who adore him are, to varying degrees, generic and/or moronic—and the critter’s demise provokes a protracted volley of sentimental farewells as fulsome as those that accompanied the passing of Dickens’s Little Nell.
The thousands of readers who loved Corelli’s Mandolin have waited impatiently for its author’s next novel, so one understands why this innocuous little non-book was published. But why was it written?Pub Date: Sept. 11, 2001
ISBN: 0-375-42155-6
Page Count: 128
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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