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A STRANGE LIFE

SELECTED ESSAYS OF LOUISA MAY ALCOTT

Lively, occasionally grim, and genuinely funny essays from a beloved author.

Essays from the author of Little Women.

Even occasional readers know that Louisa May Alcott (1832-1888) wrote Little Women. Few may be aware that she was also a remarkably witty essayist. This volume collects some of Alcott’s nonfiction, which editor Rosenberg calls “even more brilliant—or perhaps more consistently brilliant—than her novels and stories.” The book includes three long essays and excerpts from six additional pieces. The snippets, including “Happy Women,” where she begins, “One of the trials of womankind is the fear of being an old maid,” and then cites several women who did just fine without a man, have their pleasures, but the highlights are the longer essays. “How I Went Out to Service” describes the weeks she spent working for “a tall, ministerial gentleman” in search of “a companion for his sister,” whom he called “a martyr to neuralgia.” The hilarious “Transcendental Wild Oats” chronicles the escapades of family members who had no talent for farming yet tried to build an Eden in the woods. The most poignant piece is “Hospital Sketches,” Alcott’s account of her service as a nurse during the Civil War, an essay Jane Smiley, who provides the preface, describes as “maybe the most idiosyncratic and interesting depiction of war that I have ever read.” Although it contains dated racial terms that make for uncomfortable reading, this essay gives a then-unprecedented view of war from the hospital ward, where Alcott describes harrowing conditions (“the floor covered with the more disabled, the steps and doorways filled with helpers and lookers-on”). Many of the pieces contain moments of humor, as when a hospital attendant prepares “a fearful beverage, which he called coffee, and insisted on sharing with me.” The author also proves that some things haven’t changed, as when she writes about a woman working alongside men: “The men got two francs a day; the woman half a franc.”

Lively, occasionally grim, and genuinely funny essays from a beloved author.

Pub Date: Oct. 24, 2023

ISBN: 9781912559435

Page Count: 168

Publisher: Notting Hill Editions

Review Posted Online: Aug. 4, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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