A bright, entertaining tale with a lovable protagonist.
A loyal, hard-working, and surprisingly contemplative dog describes his life on a Tennessee farm in this endearing novel.
Arthur Dogson Todd proudly protects Misty Meadows Farm, and the 10-year-old dachshund and Jack Russell mix takes his “forever profession” very seriously. He lives with his “sapiens,” O’mamma and Mr. Cliff, and myriad animals, including horses, chickens, cats, and Arthur’s assistant, Pristine, a rat terrier who doesn’t actually catch any rats. Arthur has a solid system in place, with several guarding stations around the farm for “maximum range of surveillance coverage.” He consistently hones his craft, like launching the Prior Protection Program, in which he takes action at the mere whisper of danger. It’s a challenging gig; his humans don’t always understand him, suspecting the innocent canine of stealing eggs (or so their facial expressions seem to say) or wrongly referring to his keen observations (and accompanying behavior) as “complaints.” Arthur runs into all sorts of trouble on the farm—a rooster attacks him with its spurs, and O’mamma and Mr. Cliff are so distracted by some kind of “abbey” (and its interminable episodes) that they all but ignore Arthur and Pristine. The canine isn’t only about perfecting his skillset; he also tries to better himself as a dog. Nearly every experience on the farm comes with a lesson to apply to daily life. For example, he must fight to control anger and jealousy since those emotions can bring out his “dark side.”
DeVito, whose previous work was Two Spirits Here (2011), structures the novel as a series of essays narrated by Arthur. The dog charmingly defines aspects of his job, like his various barks (e.g., Intruder-Alert Bark) and his guarding station’s Comfort Level Rating System (the least comfortable being the much-dreaded post on the gravel driveway). In some of his entries, he primarily observes or reports, like witnessing the unexpected outcome of Pristine lying on the sapiens’ pillow, a forbidden spot. Arthur has his own delightful way of describing things. He employs abundant acronyms in his work and downtime—DMC (Direct Mouth Capture) and the DFHL (Dying From Hunger Look). Although Arthur shrewdly comprehends most of what his sapiens say to him and to one another, he sometimes misunderstands and memorably so: Mr. Cliff calls himself a “leg man,” prompting Arthur to assiduously search for meaning in the many legs he sees. Arthur’s combination of smarts and naïveté makes him an easy dog to love, especially since he continually strives to improve and embraces everyone in the farm family, even the shifty cats. The supporting cast, most notably O’mamma and Mr. Cliff, help round out Arthur’s world. Vagreti’s black-and-white drawings, which precede each chapter, deliver sharply defined images of, for example, tired dogs luxuriating in a human bed and the classic canine smile.
Pub Date: Jan. 1, 2024
ISBN: 9781628802818
Page Count: 224
Publisher: N/A
Review Posted Online: March 6, 2024
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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