A novel that reckons with ghosts—of both specific people and also the shadows resulting from America’s violent, dark habits.
The most recent recipient of the Pulitzer Prize in fiction—for The Night Watchman (2020)—turns her eye to various kinds of hauntings, all of which feel quite real to the affected characters.
Erdrich is the owner of Birchbark Books, an independent bookstore in Minneapolis and, in this often funny novel, the favorite bookstore of Flora, one of narrator Tookie’s “most annoying customers.” Flora wants to be thought of as Indigenous, a “very persistent wannabe” in the assessment of Tookie, who's Ojibwe. Flora appears at the store one day with a photo of her great-grandmother, claiming the woman was ashamed of being Indian: “The picture of the woman looked Indianesque, or she might have just been in a bad mood,” Tookie decides. Flora dies on All Souls’ Day 2019 with a book splayed next to her—she didn't have time to put a bookmark in it—but she continues shuffling through the store’s aisles even after her cremation. Tookie is recently out of prison for transporting a corpse across state lines, which would have netted her $26,000 had she not been ratted out and had the body not had crack cocaine duct-taped to its armpits, a mere technicality of which Tookie was unaware. Tookie is also unaware that Flora considered Tookie to be her best friend and thus sticks to her like glue in the afterlife, even smacking a book from the fiction section onto the floor during a staff meeting at Birchbark. The novel’s humor is mordant: “Small bookstores have the romance of doomed intimate spaces about to be erased by unfettered capitalism.” The characters are also haunted by the George Floyd murder, which occurred in Minneapolis; they wrestle with generations of racism against Black and Indigenous Americans. Erdrich’s love for bookselling is clear, as is her complicated affection for Minneapolis and the people who fight to overcome institutional hatred and racism.
A novel that reckons with ghosts—of both specific people and also the shadows resulting from America’s violent, dark habits.Pub Date: Nov. 9, 2021
ISBN: 978-0-06-267112-7
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 3, 2021
Kirkus Reviews Issue: Aug. 15, 2021
PERSPECTIVES
PERSPECTIVES
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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