SWEEP

As a boy sweeps leaves, a mood sweeps him away.

It might be the single leaf wafting straight into his face that puts Ed into a bad mood. Or it might be tripping over his broom, or the wind trying to blow his leaf pile away. This bad mood “swept over him in a raging storm and stuck,” and off goes Ed, taking his broom to everything in sight. Sardà’s digital art begins elegantly, playing with gravity (stepping, Ed is seen to be slightly aloft), swirling lines showing movement and breeze—then it leaps into a world of diagonals and scale changes. As Ed’s leaf pile expands to engulf bikes, cars, and a whole city bus, the illustration represents three street scenes diagonally tipped and juxtaposed: Everything’s sliding out of control. Ed’s leaf pile envelops trees, a four-story building, and eventually the city. A tiny bicyclist speeds down its very steep slope; a skier shusses down it. When the background blackens, is it natural nighttime or the darkness of Ed’s mood? It even has its own point of view: “Is this really worth it? he asked himself. Yes, his bad mood decided.” No matter: “A new wind whip[s] up” to change everything. Offsetting drama with understatement and humor, Greig and Sardà thus carry readers through a mood and out the other side. Ed and most of the townspeople present white.

An artful, elegant metaphor for mood