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THE NIGHT BOX

Max’s power to take charge of night and to celebrate as he lets day out “and a new song begins” is evocative, simple, and...

The day is ending, but everything waits for Max to open the Night Box and let the darkness into the air.

“Day slips out of the leaves” as Max’s mother calls him in for bedtime. The gold light of late afternoon fills the sky, and the shadows are long. Max gets ready for bed, and his mother kisses him goodnight. Then the midnight-blue box in the corner of his room is ready to be opened with his key. Lindsay’s clean, delicate lines and subdued palette perfectly complement and interpret Greig’s precise, quiet, and lighthearted poetic text. Small creatures and flowers, tall trees with delicate leaves, and graceful, spare, sweeping landscapes surround Max as the dark flows around them. The language is delicious: “Night shakes itself into the trees.” The “night is huge,” encompassing not only Max’s house, but the pond, the forest, the ocean. And the “night is brave,” concealing and guarding a doe and her fawn. It confers gifts, matching up moon and pond, a fox and a rose, Max and “a bear and a soft, warm bed.” At every turn the darkness and the night seem to be big and mysterious yet magical and somehow intimate.

Max’s power to take charge of night and to celebrate as he lets day out “and a new song begins” is evocative, simple, and reassuring. (Picture book. 3-6)

Pub Date: Sept. 25, 2018

ISBN: 978-1-328-85093-5

Page Count: 32

Publisher: Clarion Books

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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HEY, DUCK!

A sweet, tender and charming experience to read aloud or together.

A clueless duckling tries to make a new friend.

He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts.  When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.

A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)

Pub Date: Jan. 22, 2013

ISBN: 978-0-375-86990-7

Page Count: 40

Publisher: Random House

Review Posted Online: Nov. 13, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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