by Louise Hawes ‧ RELEASE DATE: May 1, 2001
The author bases this latest on a premise so unlikely it is almost laughable, yet the characters involved are worth caring about. When Feena was four, her beloved baby brother Christopher died of SIDS. Now ten years later, Feena’s father is gone and her mother has moved the two of them to Florida for a fresh start. Things are pretty bleak: a hot, cramped house wedged between the highway and a rundown kiddie amusement park. There, Feena sees a mother hitting and insulting her toddler on several occasions. While the abuse is not horrific by current standards, the coldness and cruelty of this mother are clear. Feena is struck not only by the awful treatment of the toddler, but also by his name: Christopher, the same as her dead brother. The last straw comes when Feena witnesses the mother leaving Christopher in the parking lot and driving away. She rescues (kidnaps?) Christy and decides to hide him. Very soon it becomes clear that Feena is in over her head. She has no money, no place to hide him, and she’s supposed to be in school. Added to the dubious nature of the plot, the most popular girl in school finds out about him and is immediately drawn to saving him, too. The girls succeed for a few weeks but the situation becomes too much for them, and Feena returns the little boy to his mother in spite of what they know. Feena plans to keep in touch with the mother in an effort to prevent future abuse, but when she returns for her first visit, Christy and his family are gone. The girls struggle with many issues around Christy’s kidnapping and disappearance. They wonder if they are justified in breaking the law to save a child, and why the law hasn’t protected him before. They wonder what kind of life he will have and where his mother has taken him. Both girls are complex characters, well drawn and sympathetic. What this lacks in realism, it makes up for in character development and “issue raising” and would be great for classroom discussion in a junior-high language arts class. (Fiction. 12-15)
Pub Date: May 1, 2001
ISBN: 0-7636-1371-1
Page Count: 240
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
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by Louise Hawes & illustrated by Rebecca Guay
by Laura Resau ‧ RELEASE DATE: Sept. 12, 2006
When Clara Luna, 14, visits rural Mexico for the summer to visit the paternal grandparents she has never met, she cannot know her trip will involve an emotional and spiritual journey into her family’s past and a deep connection to a rich heritage of which she was barely aware. Long estranged from his parents, Clara’s father had entered the U.S. illegally years before, subsequently becoming a successful business owner who never spoke about what he left behind. Clara’s journey into her grandmother’s history (told in alternating chapters with Clara’s own first-person narrative) and her discovery that she, like her grandmother and ancestors, has a gift for healing, awakens her to the simple, mystical joys of a rural lifestyle she comes to love and wholly embrace. Painfully aware of not fitting into suburban teen life in her native Maryland, Clara awakens to feeling alive in Mexico and realizes a sweet first love with Pedro, a charming goat herder. Beautifully written, this is filled with evocative language that is rich in imagery and nuance and speaks to the connections that bind us all. Add a thrilling adventure and all the makings of an entrancing read are here. (glossaries) (Fiction. 12-14)
Pub Date: Sept. 12, 2006
ISBN: 0-385-73343-7
Page Count: 272
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
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by Patricia Gualinga & Laura Resau ; illustrated by Vanessa Jaramillo
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by James Patterson & Emily Raymond ; illustrated by Valeria Wicker ‧ RELEASE DATE: April 26, 2022
A somewhat entertaining, fast-paced journey that fizzles at the end.
A teenager runs away to Seattle, hoping to locate her missing sister.
Fifteen-year-old Eleanor idolizes her older sister, Sam, despite their being complete opposites: Sam is outgoing and wild, while socially awkward Eleanor is known as Little Miss Perfect, always doing the right and safe thing. After Sam runs away from home, the only communication she has with Eleanor are three postcards sent from Seattle. Eleanor decides to trace her 18-year-old sister’s footsteps, leaving her messages and hopping on a bus to find her. But when Sam doesn’t meet her at the bus depot, Eleanor, who has no real plan, has to learn how to survive on her own while searching the city for her sister. While the close bond between the girls is well depicted through flashbacks, the reveal of an important secret ultimately feels anticlimactic. A major plot point relies too heavily on chance and coincidence to be fully believable. While the color scheme, cityscapes, and background illustrations are atmospheric, the manga-inspired drawing style comes across as dated and flat. The depiction of the fabricated stories Eleanor tells is intriguing, as are the themes of friendship, living in the moment, and maintaining hope; unfortunately, none are thematically strong enough to resonate. The emotional impact of Eleanor’s experiences is diluted by her at times humorous narration. Eleanor and the main cast read as White.
A somewhat entertaining, fast-paced journey that fizzles at the end. (Graphic novel. 12-15)Pub Date: April 26, 2022
ISBN: 978-0-316-50023-4
Page Count: 280
Publisher: Little, Brown
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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by James Patterson & Joe Kulka ; illustrated by Joe Kulka
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by James Patterson ; adapted by Adam Rau ; illustrated by Phillip Tajall ; color by Ray Kao
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