The CIP data calls this bilingual tale fiction, but Corpi's afterword places the story ``where imagination and memory blend.'' She recalls a night during her childhood, in the small Mexican town of J†ltipan, when she and her older brother, Victor, explored a ruined house, once home of the revolutionary fighter Juan Sebasti†n. Learning his story from her grandmother, Corpi was introduced to the idea of personal destiny and was inspired to seek her own. That destiny led her away from J†ltipan to California, but the final page tells of her singing and telling stories to her own son, just as she was sung to as a child. It's a wonderful evocation of the early experiences and family love that give a child both roots and wings, but the Spanish version of the text is often more vivid than the English. On the first page, ``las luciÇrnagas danzaban al ritmo del viento nocturno'' (literally, ``the fireflies danced to the rhythm of the night wind''), is rendered prosaically as ``fireflies danced in the night air.'' In the intensely tropical-colored paintings, cats are purple, memories are turquoise, and a many-hued bus announces that its destination is ``El Mundo'' (``The World''). Fireflies and a number of photographs (presumably of Corpi's family) figure into the illustrations, each of which has a uniquely appropriate border. (Picture book. 6-9)
Pub Date: Sept. 1, 1997
ISBN: 0-89239-145-6
Page Count: 32
Publisher: Children's Book Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
BOOK REVIEW
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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