Fans of the first book may want to see mom in action, but as a solo act, this one just doesn’t fly.
Mom gets to be the star in this follow-up to My Dad is the Best Playground (2012).
Describing all of mom’s duties as circus acts, the book reveals the everyday life of mom and two toddlers, likely fraternal twins, of indeterminate gender. Mom is a working mother, and readers see her interacting with her little ones with boundless energy in the morning and in the evening when she returns home from work. She’s a juggler as she prepares breakfast, an animal tamer as she wrestles laundry into the washing machine and a “strongwoman” as she carries one kid under each arm. The format parallels the first book, with kinetic, cartoon images in muted colors of a happy, loving and playful family. While the father-as-playground analogy was successful and easy to relate to, the mother-as-circus concept may confuse little ones who are often not so familiar with the goings-on under the big top. The depiction of mom’s shadow flying on the trapeze is too subtle for the audience, and the cover illustration of mom happily juggling a hot cup of coffee is baffling and dangerous. On the final double-page spreads, readers learn that mom’s best act is the “sandman show,” a concept that may also require some explanation.
Fans of the first book may want to see mom in action, but as a solo act, this one just doesn’t fly. (Board book. 1-3)Pub Date: March 26, 2013
ISBN: 978-0-307-93143-6
Page Count: 26
Publisher: Random House
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: April 1, 2013
A lovely package, this quiet title will be best as a gift book for new moms eager to read aloud to the newest members of...
A mother’s observations of her new baby lead to a series of sweet comparisons to various animals.
“When I met you, you were small and trembling, and I thought you might be a little bunny. / I held you close so you were warm.” Teen author Marr (Made for You, 2014, etc.) uses playful yet comforting language in her picture-book debut. The baby’s squirming kicks remind her of a “lost kangaroo”; a lifting of the child’s head makes her think of a “curious lizard”; and the little one’s howl seems like that of a “lonely wolf.” Each of the child’s behaviors leads to a tender action taken by the mother: tucking the baby in, offering milk, and giving a bath. Each time a new creature is introduced, White gently changes the dominant color in the muted pastel palette of her watercolor and gouache illustrations. That hue is also reflected in the hand-lettered text, giving the overall design of the book a vintage feel. When the baby smiles, the mother knows “You are not a bunny-roo-lizard-wolf-kitten-piggy. You are my baby.” The final page shows the curled-up infant asleep in a pile of blankets.
A lovely package, this quiet title will be best as a gift book for new moms eager to read aloud to the newest members of their families. (Picture book. 1-3)Pub Date: April 14, 2015
ISBN: 978-0-399-16742-3
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: March 16, 2015
Kirkus Reviews Issue: April 1, 2015
Guess how much you’ll be reading this.
Parent and child share a day of small adventures and cozy snuggles.
That the two happen to be tortoises is totally beside the point. Die-cut holes and shaped edges turn nearly every page flip into a surprise. Following a parental “Good morning, Baby” to greet the youngling’s “Wake up, wake up, I want to play… / The sun is up, it’s a brand new day!” the two reptiles ramble off to munch on leaves, weather a sudden rain shower, discover a flock of butterflies, climb a hill, watch the moon rise, and, at last, weary little one perched on top, settle down to snooze again. The paper engineering is ingenious. Turning a seemingly arbitrarily shaped page with a special window framing a pink butterfly fills the spread with many jewel-toned insects; even though the tortoises never change position, the scene is completely transformed. Hegarty’s rhymed narrative features lots of tender sentiments—“Wherever you are, wherever you go, / Baby, I’ll always love you so”—while steering clear of any gender references. In Elliott’s peaceful, grassy settings the wanderers’ small smiles and shared glances likewise create a sense of loving intimacy. This is likely to become a victim of its own appeal, being as the paper stock is rather too flimsy to survive much contact with toddler hands. Still, a clear winner for sharing with audiences of one or dozens.
Guess how much you’ll be reading this. (Novelty. 18 mos.-3)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-3509-7
Page Count: 32
Publisher: Sourcebooks Wonderland
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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