Fans of the first book may want to see mom in action, but as a solo act, this one just doesn’t fly.
Mom gets to be the star in this follow-up to My Dad is the Best Playground (2012).
Describing all of mom’s duties as circus acts, the book reveals the everyday life of mom and two toddlers, likely fraternal twins, of indeterminate gender. Mom is a working mother, and readers see her interacting with her little ones with boundless energy in the morning and in the evening when she returns home from work. She’s a juggler as she prepares breakfast, an animal tamer as she wrestles laundry into the washing machine and a “strongwoman” as she carries one kid under each arm. The format parallels the first book, with kinetic, cartoon images in muted colors of a happy, loving and playful family. While the father-as-playground analogy was successful and easy to relate to, the mother-as-circus concept may confuse little ones who are often not so familiar with the goings-on under the big top. The depiction of mom’s shadow flying on the trapeze is too subtle for the audience, and the cover illustration of mom happily juggling a hot cup of coffee is baffling and dangerous. On the final double-page spreads, readers learn that mom’s best act is the “sandman show,” a concept that may also require some explanation.
Fans of the first book may want to see mom in action, but as a solo act, this one just doesn’t fly. (Board book. 1-3)Pub Date: March 26, 2013
ISBN: 978-0-307-93143-6
Page Count: 26
Publisher: Random House
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: April 1, 2013
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.
Animal parents declare their love for their offspring in alphabetical order.
Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)Pub Date: Dec. 1, 2020
ISBN: 978-1-7282-2095-6
Page Count: 28
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Guess how much you’ll be reading this.
Parent and child share a day of small adventures and cozy snuggles.
That the two happen to be tortoises is totally beside the point. Die-cut holes and shaped edges turn nearly every page flip into a surprise. Following a parental “Good morning, Baby” to greet the youngling’s “Wake up, wake up, I want to play… / The sun is up, it’s a brand new day!” the two reptiles ramble off to munch on leaves, weather a sudden rain shower, discover a flock of butterflies, climb a hill, watch the moon rise, and, at last, weary little one perched on top, settle down to snooze again. The paper engineering is ingenious. Turning a seemingly arbitrarily shaped page with a special window framing a pink butterfly fills the spread with many jewel-toned insects; even though the tortoises never change position, the scene is completely transformed. Hegarty’s rhymed narrative features lots of tender sentiments—“Wherever you are, wherever you go, / Baby, I’ll always love you so”—while steering clear of any gender references. In Elliott’s peaceful, grassy settings the wanderers’ small smiles and shared glances likewise create a sense of loving intimacy. This is likely to become a victim of its own appeal, being as the paper stock is rather too flimsy to survive much contact with toddler hands. Still, a clear winner for sharing with audiences of one or dozens.
Guess how much you’ll be reading this. (Novelty. 18 mos.-3)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-3509-7
Page Count: 32
Publisher: Sourcebooks Wonderland
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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