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MAYHEM AT THE MUSEUM

A BOOK IN PICTURES

Entertaining if limited arts appreciation.

In this almost-wordless picture book, five small children walk obediently through an art museum with their caregiver/teacher—and the art itself demands interaction.

A very young child who presents Asian climbs the steps of an imposing, neoclassical building to join a racially diverse but similarly aged group lined up before a red sign that reads “No touching the art.” Their teacher and museum guard—both women of color in Lozano’s cartoony art—exchange understanding glances over the children’s heads. Once inside, the titular mayhem begins. After a character from a cartoony replica of a famous Renoir painting leans out to give the child figurative raspberries, an ersatz Van Gogh portrait hands over his literal hat. In room after room, additional works of Western European art unload hats, flowers, fruits, and musical instruments upon patrons whose expressions change from vexed to pleased; even the guard becomes a participant. The art is appropriately colorful and exuberant, with varied layouts. Unfortunately, the red sign becomes a didactic, unnecessary punchline. Lozano carefully places plaques next to each work replicated but fills them with scribble instead of useful information; the pieces are identified in tiny type on the copyright page. The strong effort to show diversity in museum patrons and workers is undercut by the highly Eurocentric representation of art depicted. Anna at the Art Museum, by Hazel Hutchins and Gail Herbert and illustrated by Lil Crump (2018), is more sophisticated and more engaging.

Entertaining if limited arts appreciation. (Picture book. 5-7)

Pub Date: June 16, 2020

ISBN: 978-0-593-09354-2

Page Count: 40

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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SYLVIA'S SPINACH

Very young gardeners will need more information, but for certain picky eaters, the suggested strategy just might work.

A young spinach hater becomes a spinach lover after she has to grow her own in a class garden.

Unable to trade away the seed packet she gets from her teacher for tomatoes, cukes or anything else more palatable, Sylvia reluctantly plants and nurtures a pot of the despised veggie then transplants it outside in early spring. By the end of school, only the plot’s lettuce, radishes and spinach are actually ready to eat (talk about a badly designed class project!)—and Sylvia, once she nerves herself to take a nibble, discovers that the stuff is “not bad.” She brings home an armful and enjoys it from then on in every dish: “And that was the summer Sylvia Spivens said yes to spinach.” Raff uses unlined brushwork to give her simple cartoon illustrations a pleasantly freehand, airy look, and though Pryor skips over the (literally, for spinach) gritty details in both the story and an afterword, she does cover gardening basics in a simple and encouraging way.

Very young gardeners will need more information, but for certain picky eaters, the suggested strategy just might work. (Picture book. 5-7)

Pub Date: Nov. 6, 2012

ISBN: 978-0-9836615-1-1

Page Count: 32

Publisher: Readers to Eaters

Review Posted Online: Sept. 25, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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THE GIRL WHO LOVED WILD HORSES

            There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses.  The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance.  But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him.  Goble tells the story soberly, allowing it to settle, to find its own level.  The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight.          6-7

Pub Date: Aug. 1, 1978

ISBN: 0689845049

Page Count: -

Publisher: Bradbury

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: Sept. 1, 1978

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