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STORM-WAKE

As wild and refreshing as an ocean storm, if similarly tumultuous.

A shipwreck brings a brave new world in this Tempest retelling.

Moss and Pa are the last two humans, stranded on an island until Pa’s Experiment with magical stormflowers can restore the drowned world. Fishboy Cal arrived a few years ago, first a playmate and now a budding romantic partner for Moss, but he rejects Pa’s post-apocalyptic narrative and yearns to escape. Moss is ethnically ambiguous—she is tan-skinned and green-eyed, with dark curly hair—in contrast to Pa, who is white, but their reactions to dark-skinned Cal frustratingly replicate the latent imperialism of Shakespeare’s play: Moss (Miranda) and Pa (Prospero) name him Callan (Caliban) and teach him English but still consider him “Other.” Now 14 years old, Moss worries about her pollen-addicted, depressed Pa, her aging dog, and the pangs of puberty. When a storm brings blond-haired Finn—received as a “real” boy—Moss questions Pa’s creation myths and grapples with her resurfacing memories. Christopher (The Killing Woods, 2014, etc.) streamlines the Shakespearean tale, eliminating secondary characters and subplots and rendering the magic on the island ambiguous. Replacing Elizabethan English with an inventive modern (but peculiarly overhyphenated) form keeps the language poetic, florid, and descriptive, if still alien.

As wild and refreshing as an ocean storm, if similarly tumultuous. (Fantasy. 12-18)

Pub Date: July 31, 2018

ISBN: 978-0-545-94032-0

Page Count: 320

Publisher: Chicken House/Scholastic

Review Posted Online: April 29, 2018

Kirkus Reviews Issue: May 15, 2018

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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