Riveting, humanizing and real.
Using innovative page design, Frank crafts an unflinching look at illness.
In the emergency room at 4 a.m., Chess is whisked into invasive medical testing—a colonoscopy—and then into a hospital room. She’s had severe gastrointestinal symptoms before, but this is her first diagnosis: the chronic, autoimmune disorder Crohn’s, an inflammatory bowel disease. Her roommate, Shannon, has Crohn’s, too. Their conversations—acerbic, worried, snippy—progress down each page in fast-reading columns of verse. When the curtain between their beds is closed, a vertical line appears between Chess’ text column and Shannon’s, emphasizing the room’s physicality and restriction. A doctor calls Crohn’s “tough and / unpredictable”; Chess finds it disgusting (“gross green bubbles / glub up from my insides, / slip down the tube”), painful (her insides “burn”) and humiliating—especially the mortifying incident that sent her to the emergency room. Chess laughs until she cries, and then “the rage flows, / shocking and unstoppable / as shit.” Her future holds prescriptions, side effects, food restrictions, flare-ups—and remissions. Frank’s portrayal of chronic, mostly invisible sickness is spot-on. Illness isn’t metaphor, it isn’t a consequence, it isn’t a literary vehicle—it’s a precarious and uprooting fact of life, inconvenient and enraging, but not the end of the world.
Riveting, humanizing and real. (Verse fiction. 13-17)Pub Date: Aug. 5, 2014
ISBN: 978-0-307-97974-2
Page Count: 272
Publisher: Schwartz & Wade/Random
Review Posted Online: May 27, 2014
Kirkus Reviews Issue: June 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Full of drama, emotional turmoil, and high stakes.
What happens to the world after the dust from a revolution has settled?
Friends Annie and Lee were children from very different circles when Atreus killed Lee’s father, dragonlord Leon Stormscourge, ending the uprising on the bloodiest day in Callipolis’ history. For too long the dragonriders held all the power while their people starved and lived in fear. Nine years later, a new generation of dragonriders is emerging, children selected and trained on merit, not bloodlines. Their dragons are finally mature enough for them to compete for Firstrider, a position of power that can give Lee back a small part of what his family lost. However, not only is Lee competing against Annie, but rumors are circulating that some of the royal family have survived and have dragons of their own. Everyone will have to make a choice: Restore the old regime, support the First Protector and the new caste system he created, or look for a new way, no matter what the cost. From the beginning, this book pulls readers in with political intrigue and action. What keeps them invested, however, are the complex relationships between many cast members. Choices are complex, and the consequences for all could be deadly. The world is well fleshed out and believable. Annie and Lee are light skinned; secondary characters are diverse, and race is a nonissue in this world.
Full of drama, emotional turmoil, and high stakes. (author’s note) (Fantasy.14-17)Pub Date: Oct. 15, 2019
ISBN: 978-0-525-51821-1
Page Count: 448
Publisher: Putnam
Review Posted Online: July 23, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
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