Urrea’s command of language is matched only by his empathy for his characters.
Urrea, celebrated for his historical sagas (Queen of America, 2011) and nonfiction (The Devil’s Highway, 2004), offers 13 stories that reflect both sides of his Mexican-American heritage while stretching the reader’s understanding of human boundaries.
With spare eloquence, the opening “Mountains Without Number” conjures up a dying town near Idaho Falls, both its stark landscape and aging inhabitants. The language turns lush, Latin and slangy in the next two stories, “The Southside Raza Image Federation Corp of Discovery” and “The National City Reparation Society,” which feature the bookish Mexican-American Junior, who doesn’t fit in with a white college crowd any more than with the immigrant community he grew up among. The theme of young Anglos straddling class and/or cultural borders occurs, too. The adolescent white narrator of “Amapola” falls in love with a beautiful Mexican girl, naïvely oblivious to the source of her family’s wealth. Joey in “Young Man Blues” learns the reward and price of goodness when caught between loyalty to his elderly middle-class employer and his father’s criminal cohorts. While “Carnations” and “The White Girl” are brief snapshots of grief, “The Sous Chefs of Iogua” resonates on multiple levels, exposing the uneasy complexities of Anglo-Mexican relationships in an Iowa farm town. In “Taped to the Sky,” a Cambridge academic suffering over an ex-wife takes a cross-country trip to the far west and has a darkly comic encounter with Oglala Sioux Don Her Many Horses, who shows his depth in the volume’s bittersweet final story, “Bid Farewell to Her Many Horses,” about a white man whose marriage to Don’s sister shows the power and limitations of cross-cultural love. “Mr. Mendoza’s Paintbrush,” about a graffiti artist in a Mexican village, was published as a graphic novel in 2010; its magical realism would make it an outlier here if not for the penultimate “Welcome to the Water Museum,” a dystopian tale of Western life in an arid future when children consider water an anomaly.
Urrea’s command of language is matched only by his empathy for his characters.Pub Date: April 7, 2015
ISBN: 978-0-316-33437-2
Page Count: 272
Publisher: Little, Brown
Review Posted Online: Jan. 18, 2015
Kirkus Reviews Issue: Feb. 1, 2015
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers...
Exploring humankind's place in the universe and the nature of humanity, many of the stories in this stellar collection focus on how technological advances can impact humanity’s evolutionary journey.
Chiang's (Stories of Your Life and Others, 2002) second collection begins with an instant classic, “The Merchant and the Alchemist’s Gate,” which won Hugo and Nebula awards for Best Novelette in 2008. A time-travel fantasy set largely in ancient Baghdad, the story follows fabric merchant Fuwaad ibn Abbas after he meets an alchemist who has crafted what is essentially a time portal. After hearing life-changing stories about others who have used the portal, he decides to go back in time to try to right a terrible wrong—and realizes, too late, that nothing can erase the past. Other standout selections include “The Lifecycle of Software Objects,” a story about a software tester who, over the course of a decade, struggles to keep a sentient digital entity alive; “The Great Silence,” which brilliantly questions the theory that humankind is the only intelligent race in the universe; and “Dacey’s Patent Automatic Nanny,” which chronicles the consequences of machines raising human children. But arguably the most profound story is "Exhalation" (which won the 2009 Hugo Award for Best Short Story), a heart-rending message and warning from a scientist of a highly advanced, but now extinct, race of mechanical beings from another universe. Although the being theorizes that all life will die when the universes reach “equilibrium,” its parting advice will resonate with everyone: “Contemplate the marvel that is existence, and rejoice that you are able to do so.”
Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers in a big way.Pub Date: May 8, 2019
ISBN: 978-1-101-94788-3
Page Count: 368
Publisher: Knopf
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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