by Luis Amavisca ; illustrated by Betania Zacarias ; translated by Kim Griffin & Ben Dawlatly ‧ RELEASE DATE: April 10, 2017
Appealing—if not groundbreaking—reassurance for children of divorce.
A child reflects on the houses of his separated parents in this dos-à-dos book.
In The Mirror in Mommy’s House, a bespectacled, redheaded white child recalls living with his parents in one house. Holding a pet rabbit close, he remembers gazing into a mirror as his parents quarreled, letting his imagination roam free. Now he has two special, happy houses. The book is a visual delight—Zacarias’ seamless blend of cut-paper collage and pastels adds depth and texture to the story. Yellows and reds bathe Mommy’s house in a warm glow, and love radiates off the page. Vaguely halting text and overly prolific ellipses (“Back then, in that single house, Daddy and Mommy used to argue a lot. And it made me sad…”) are slightly distracting; this is a Spanish import. In The Mirror in Daddy’s House, some may be disappointed to read the same story, more or less. Others may enjoy flipping from side to side to identify differences and similarities in the text and illustrations. (They may also wonder at a continuity flaw in the child’s clothing, noticeable at the center of the book.) Although Daddy’s gray-blues clearly distinguish it from Mommy’s orangey-yellows, they also imbue Daddy’s side with inadvertent sadness. Ultimately, the message that both parents love and share him, while not new, is still worthwhile. The book is also available in Spanish: El Espejo En La Casa de Mamá / El Espejo En La Casa de Papá.
Appealing—if not groundbreaking—reassurance for children of divorce. (Picture book. 4-8)Pub Date: April 10, 2017
ISBN: 978-84-945415-5-1
Page Count: 44
Publisher: NubeOcho
Review Posted Online: March 19, 2017
Kirkus Reviews Issue: April 1, 2017
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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