by Luis Amavisca ; illustrated by Guridi ‧ RELEASE DATE: Oct. 10, 2017
Empowering in its simplicity.
A barbed-wire fence separates two communities—one ocher and one blue, each needing something the other has in abundance.
The blue folk have a well on their side with much water. The ocher folk have an oven with plenty of bread. But when the ocher side runs out of water, the blue side will not share. The water is on their land; it belongs to them. This compels the same response when the blue side runs out of bread. Luckily, the younger generation thinks this is ridiculous. They happily share through the fence and wonder, “Why are our parents like this?” When green strangers arrive, a new portion of fence is erected to divide the land further. The green folk have nothing to offer, and the bread and water are kept guarded by adults. But still, the children share. Optimistic readers will hope the fence will be torn down in the end, but it stands strong—showing how much work society still has to do. Wobbly, unrestricted lines create these elongated, scribbled characters. Even the barbed wire seems springy and looped, not menacing, though the important message is not lost in frivolity. Kids can bring about change, regardless of previous generations’ ideas. This Spanish import was published in Europe in collaboration with Amnesty International, and a portion of its sales will go toward protecting human rights worldwide.
Empowering in its simplicity. (Picture book. 4-8)Pub Date: Oct. 10, 2017
ISBN: 978-84-945971-3-8
Page Count: 40
Publisher: NubeOcho
Review Posted Online: Aug. 11, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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