by Luis Sagasti ; translated by Fionn Petch ‧ RELEASE DATE: Feb. 4, 2020
A nimble writer who merits wider readership in English—and several more novels await translation.
A postmodern work of fiction made up of neatly assembled and interpreted facts, the first of Argentine writer Sagasti's books to be translated into English.
It makes good sense that by day, Sagasti works as a museum curator, for this is a diligently collected series of oddments that help make sense of how the world works—and, as Sagasti writes, that it works at all is a marvel, since “for the machine to keep running, it’s better not to mention certain things.” Those certain things might include matters of family dysfunction or historical inconveniences; whatever the case, Sagasti enjoys turning them up and looking them over, counseling that in a world full of people as cold as the distant heavens, “we should seek out only the fireflies,” never mind that they die just like everything else. Sagasti keeps the theme of his title alive and at work throughout this brief book, which turns into a lively meditation on how things connect and cohere of the sort that Guy Davenport would have approved. One firefly is the German artist Joseph Beuys, shot down as a Luftwaffe pilot over Russia and briefly held by a Tatar shaman who allays his fears by pointing to the flickering stars—and then, it seems, implants those stars in Beuys’ head, for “shamans travel into the skies in search of the sick person’s soul in order to return it to their body.” If shamans can do it, so can the time-traveling Billy Pilgrim, another prisoner of war, of Kurt Vonnegut’s novel Slaughterhouse-Five; and the Tatars may have taken an idea or two from Antoine de Saint-Exupéry, another flyer whose novel The Little Prince was translated into their language. In the manner of a well-functioning ecosystem, everything in Sagasti’s book connects to everything else, and it’s a subtle marvel—especially the surprise ending.
A nimble writer who merits wider readership in English—and several more novels await translation.Pub Date: Feb. 4, 2020
ISBN: 978-1-9997227-4-6
Page Count: 85
Publisher: Charco Press
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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BOOK TO SCREEN
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BOOK TO SCREEN
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