Next book

THE SHADOW OF WHAT WE WERE

The past is present in this political novel, which requires greater knowledge of Chile’s politics and recent history than...

Former Chilean revolutionaries reunite as bumbling conspirators in this novella by Sepúlveda (The Name of a Bullfighter, 1996, etc.).

The author, a former political prisoner in Chile now living in Spain, opens the book in 1925 with a bank robbery in Santiago, one committed in the spirit of Robin Hood (“This is a robbery, but we are not thieves”). The story then flashes forward to contemporary Santiago, for an incident that provides what little plot there is. Coco Aravena, a grandson of one of those original robbers, faces eviction from his apartment, because of, as his wife charges, his “laziness, depression, disillusionment, lack of ambition, contempt for work and possible lack of decency.” His wife angrily starts tossing their possessions onto the sidewalk, including a phonograph player that strikes a pedestrian and kills him. The dead man has a gun. Coco takes it. Someone else takes the dead man’s shoes. Coco schemes to invent a scenario in which their apartment was ransacked and whoever robbed them also killed the pedestrian. He also reunites with three former friends who had been militant supporters of Salvador Allende, until his overthrow by a coup in 1973 forced them underground, even into exile. They now look different and have different values. Some of this novel is very funny, such as a passing reference to “the strict morality of the anarchists” and a long soliloquy on the execrable quality of Chilean coffee. Some of it is serious, such as the invocation of the “immutable land of memory” and the admonition that Chileans need to “stop being wimps afraid of our own past.” But much of it plainly means more to the author and his Chilean readership than to those reading this English translation.

The past is present in this political novel, which requires greater knowledge of Chile’s politics and recent history than American readers are likely to bring to it.

Pub Date: Feb. 1, 2011

ISBN: 978-1-60945-002-1

Page Count: 144

Publisher: Europa Editions

Review Posted Online: Dec. 2, 2010

Kirkus Reviews Issue: Dec. 1, 2010

Categories:
Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 26


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2014


  • New York Times Bestseller


  • National Book Award Finalist


  • Pulitzer Prize Winner

Next book

ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Awards & Accolades

Likes

  • Readers Vote
  • 26


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2014


  • New York Times Bestseller


  • National Book Award Finalist


  • Pulitzer Prize Winner

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

Close Quickview