A set of poems about the failings of the healthcare system rendered in extremely graphic imagery.
A poet traces a harrowing hospital experience in this linked collection.
Author hall writes in the voice of their protagonist, Ashton, who’s plagued with medical anxiety (“i’m constantly thinking of every inch of me”), which may be hypochondria but could be a more serious malady. A bump appears on their neck, and the situation spirals into a visit to the hospital to see Dr. Reynolds, but once Ashton is in the waiting room, their reality and sanity begin to fissure and fracture. The hospital goes into lockdown, with no explanation; other strange things begin to occur, which may be hallucinations: A body on a stretcher begins to boil; a nurse collapses, looking “all crispy black & reeked.” Ashton remains determined to get their checkup, but they soon spiral into a breakdown—a rolling rhythm of peaks and valleys as the collection unfolds. Rather than titles, the poems have timestamps, beginning with Ashton’s night terror at 2:59 a.m. and flowing into other events throughout the day, often just minutes apart; the stamps become confused, even illegible (“?1:44:5? ??” and “0?:?4 ??”), and the poems follow suit. A disembodied voice speaks to Ashton in italics as their mind frays. At times, words scramble on the page, stretched apart by space or frenzied together. Overall, this is a body horror collection that will challenge many readers, as the poet’s use of graphic imagery (“from my skin burst a leg, a tarry black / & bristled appendage, / then another. the searing edge / of a blade peeling flesh”) is simultaneously revolting and intriguing, and continually compels one to ask, “Is this real?” Through the perceptions of Ashton, the poet reveals how a system and its stewards can make even a single hospital visit apocalyptic, as one fights for autonomy at every turn: “To finally work up the courage to seek help,” hall writes, “once more, & to end up trapped, helpless,” reflecting the difficulties that marginalized people can have as they assert themselves.
A set of poems about the failings of the healthcare system rendered in extremely graphic imagery.Pub Date: June 14, 2023
ISBN: 9781957537603
Page Count: 225
Publisher: Brigids Gate Press
Review Posted Online: Oct. 10, 2024
Review Program: Kirkus Indie
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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