by Lydia Cacho & Anabel Hernández & Sergio González Rodríguez & Diego Enrique Osorno & Emiliano Ruiz Parra & Marcela Turati & Juan Villoro ‧ RELEASE DATE: April 7, 2020
Though brief, this collection of urgent reports deserves a wide audience—and not just in Mexico.
A steely band of courageous Mexican journalists respond to the violence and corruption overwhelming their country—to great personal and professional peril.
In a series of elucidating and chilling dispatches, expertly translated by a variety of translators, seven well-respected journalists reveal Mexico’s “suppurating wound,” as described by Elena Poniatowska in the powerful preface. Each of the pieces in this work shows an absolute assault on justice and human rights: narcotics trafficking, organized crime, sex trafficking, femicide, violent peasant land struggles, disappeared youth, egregious government coverups, torture, and widespread murder. A recent haunting crime that overshadows several of these dispatches is the Sept. 26, 2014, abduction and disappearance of 43 students on their way to Ayotzinapa Rural Teachers’ College in Guerrero, one of the most violent narcotics trafficking states in Mexico. In “Collateral Damage—Living in Mexico,” Juan Villoro, a weekly columnist for Reforma, chronicles the horrendous violence that has overwhelmed the country since President Felipe Calderón’s disastrous war on drug trafficking began in 2006. “The problem…had been around for a long time,” he writes. “But the strategy failed. We were sitting on dynamite and Calderón lit a match to prove it.” In a developing country like Mexico, where a handful of families control the wealth, there is little opportunity for youth to advance outside the cartels, which provide what Villoro calls a sense of “identity and shared codes.” The crimes these journalists delineate seem to have no rhyme or reason save desperation and poverty—e.g., the young women pressed into sex slavery by boyfriends, documented by Diego Enrique Osorno in “Lily Sings Like a Little Bird.” Marcela Turati’s “War Made Me a Feminist” is a heart-rending look at how the violence has devastated women, mothers especially. With a recorded 94 journalists murdered in Mexico between 2000 and 2016 (documented in an appendix), the country has become one of the deadliest places to practice that profession.
Though brief, this collection of urgent reports deserves a wide audience—and not just in Mexico.Pub Date: April 7, 2020
ISBN: 978-0-85705-622-1
Page Count: 352
Publisher: Hachette UK
Review Posted Online: Dec. 2, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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by Lydia Cacho translated by Cecilia Ross
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by Lydia Cacho
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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