by Lynn Huggins-Cooper ‧ RELEASE DATE: Sept. 1, 2014
The busyness of the endeavor turns it into a turkey shoot, where luck—more than skill—is the likelier factor in making a...
An effort at making sense of big numbers, with digressions into the history and various fields of mathematics.
Really big numbers are, for the most part, either vexing or comical, meaningless or all about effect. Huggins-Cooper’s hinge is Rubik’s Cube, the plastic puzzle that has frustrated gazillions. “The numbers start to get really big when you look at all the different ways the cubes can be arranged. And that’s when you will discover just how big 43 quintillion is.” The brief forays into the history of math and mathematicians are straightforward; readers “discover” something about zero, place value and the decimal system, Pythagoras, Al Khwarizmi and Fibonacci, endlessness and absence. The speed of light comes into focus, and the Ishango Bone, possibly the first evidence of counting (on a baboon’s leg, at that), is a hoot of a mystery. But other attempts at revelation fall short: “Think about 1,000,000 miles—that’s almost the distance to the moon and back, two times,” while the accompanying artwork depicts more than two times. “The ‘golden ratio’ is a special number” is too airy by half, and the relationship of the radius to the circumference, Pi, is again trumped by its illustration, which appears to show a 1-yard radius producing a circumference of 3.14 yards.
The busyness of the endeavor turns it into a turkey shoot, where luck—more than skill—is the likelier factor in making a point. (Nonfiction. 9-13)Pub Date: Sept. 1, 2014
ISBN: 978-1-60992-628-1
Page Count: 80
Publisher: QEB Publishing
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
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by Lynn Huggins-Cooper and illustrated by Ian Benfold Hayward
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by Lynn Huggins-Cooper & illustrated by Bonnie Leick & translated by Eida de la Vega
edited by Mayim Bialik ‧ RELEASE DATE: Feb. 2, 2021
Contentwise, an arbitrary assortment…but sure to draw fans of comics, of science, or of both.
Flash, Batman, and other characters from the DC Comics universe tackle supervillains and STEM-related topics and sometimes, both.
Credited to 20 writers and illustrators in various combinations, the 10 episodes invite readers to tag along as Mera and Aquaman visit oceanic zones from epipelagic to hadalpelagic; Supergirl helps a young scholar pick a science-project topic by taking her on a tour of the solar system; and Swamp Thing lends Poison Ivy a hand to describe how DNA works (later joining Swamp Kid to scuttle a climate-altering scheme by Arcane). In other episodes, various costumed creations explain the ins and outs of diverse large- and small-scale phenomena, including electricity, atomic structure, forensic techniques, 3-D printing, and the lactate threshold. Presumably on the supposition that the characters will be more familiar to readers than the science, the minilectures tend to start from simple basics, but the figures are mostly both redrawn to look more childlike than in the comics and identified only in passing. Drawing styles and page designs differ from chapter to chapter but not enough to interrupt overall visual unity and flow—and the cast is sufficiently diverse to include roles for superheroes (and villains) of color like Cyborg, Kid Flash, and the Latina Green Lantern, Jessica Cruz. Appended lists of websites and science-based YouTube channels, plus instructions for homespun activities related to each episode, point inspired STEM-winders toward further discoveries.
Contentwise, an arbitrary assortment…but sure to draw fans of comics, of science, or of both. (Graphic nonfiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-77950-382-4
Page Count: 160
Publisher: DC
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Mayim Bialik ; illustrated by Siobhán Gallagher
by Jonah Winter ; illustrated by Jeanette Winter ‧ RELEASE DATE: March 31, 2020
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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by Jonah Winter ; illustrated by Stacy Innerst
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by Jonah Winter ; illustrated by Jeanette Winter
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by Jonah Winter ; illustrated by Jeanette Winter
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