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BELLA'S FALL COAT

Adults may feel nostalgia over seasons past—and young readers will be introduced to the enticing lure of autumn and the joys...

An exuberant girl leaps into the joys of seasonal change with her loving grandmother.

Bella is growing, but she wants things to last forever, such as the crunchy autumn leaves, the geese that fill the sky, and especially her beloved old coat. Whenever Grams kindly mentions the need for a new coat, there’s a “WHOOSH,” “WHIZZ,” or “ZOOM” as the ruddy-complexioned child sprints out the door to play in the natural world. Each trip outside brings delight; each return, the opportunity to bond with Grams. Plourde’s lovely text about the ephemeral nature of objects and seasons—and the lasting love of family—is beautifully realized by Gal’s expressive, digital collage illustrations. Vibrant and spontaneous, they recall Keats and Isadora. Cleverly, she contrasts the cool blue tones of the girl’s outfit against the autumn-colored orange of fall, then flops the contrast as the seasons change. Bella’s joie de vivre emanates from the page, her wavy, often wild, blue-black hair a perfect extension of its vivacious owner. But Gal also captures the tender, quiet moments: Grams asleep under the warm glow of a lamp, the new coat she’s made in her lap, and the loving twosome walking hand in hand under a pink, purple dusky sky.

Adults may feel nostalgia over seasons past—and young readers will be introduced to the enticing lure of autumn and the joys of sharing it with someone they love . (Picture book. 3-5)

Pub Date: Sept. 6, 2016

ISBN: 978-1-4847-2697-6

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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