by Lynn Plourde & illustrated by Thor Wickstrom ‧ RELEASE DATE: Jan. 1, 2008
The latest in the series of picture books occurring in Mrs. Shepherd’s class focuses on the ubiquitous science fair. Main character Ima Kindanozee (say it out loud) is aptly named. She is so curious about her classmates’ science-fair projects that she checks out each one, overwhelming the creator with many questions. Unfortunately, in her enthusiastic quest for knowledge, Ima usually ends up destroying the work. Mrs. Shepherd remains relatively calm, stalling the principal’s attempts to enter the room and judge the now messy scene. She helps each student repair Ima’s damage just as Ima innocently ruins another project. Finally, principal Helm will be distracted no longer and enters the classroom. Everything has been repaired and Ima takes the Principal around, asking questions of each student that show off their knowledge. Duly impressed, Mrs. Helm leaves. Mrs. Shepherd states that Ima may not have her own science project but she certainly has “a nose for news,” with the last illustration showing the newspaper Ima has produced. Wickstrom’s cartoon-like illustrations set the tone for the silliness, and the subject of the book is sure to be a winner with teachers and children alike. (Picture book. 5-8)
Pub Date: Jan. 1, 2008
ISBN: 978-0-525-47878-2
Page Count: 40
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2007
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Peter H. Reynolds
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by Susan Verde ; illustrated by Juliana Perdomo
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adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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