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SHARK KISS, OCTOPUS HUG

Pity poor Charlie when he has to buy eight wedding rings.

Two sea creatures who do not really leap to mind as cuddly-wuddlies are starved for a little smooch and a little squeeze from the denizens of the beach.

Charlie the shark and Olivia Octopus—who could have come straight from Hanna-Barbera/Nickelodeon central casting—have yearnings. Charlie wants a kiss, and Olivia wants a hug, so they study beachgoers in order to devise stratagems. Elementary, my dear Ahab. Just set up a kissing booth, or put on a play, or offer free rides, or throw a cookout, complete with “delicious algae soufflé.” Kisses and hugs always follow a good time, don’t they? The kids are a tad wary, though, and the parents are near hysterical. When their best designs are met with screams of horror, Charlie begins to shed a tear. Olivia moves to comfort him. A hug. A gentlemanly kiss in return. Not bad, not bad at all. Who needs those pasty landlubbers? Affection can come from the oddest and often most overlooked places. Let us just hope that Charlie never activates his urge to swallow Olivia whole when a kiss was all that was intended. Brain chemistry...what a mess it can make of things. But not here. Cornell milks the premise for all it’s worth, throwing verisimilitude to the winds; a puckered-up Olivia, eyes closed, should have readers in hysterics.

Pity poor Charlie when he has to buy eight wedding rings. (Picture book. 4-8)

Pub Date: June 3, 2014

ISBN: 978-0-06-220320-5

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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THE HALLOWEEN TREE

Just the thing for anyone with a Grinch-y tree of their own in the yard.

A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.

A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.

Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7335-4

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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