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WINTERCAKE

Cozy—and potentially provocative.

A snowstorm, a missing basket of fruit, a misunderstanding, and an act of kindness lead to a warm winter tradition.

Thomas, a light-brown furry creature (maybe a groundhog), tells his yellow-feathered friend Lucy that he must have misplaced the basket that contained the fruit he’d intended to bake into his winter cake. “How mysterious,” Lucy says when Thomas tells her about the basket. But Lucy must hurry to get home, as the snow has begun to fall thickly, and she flies off into the wind. She collides with a tree branch and is momentarily stunned, then takes shelter in a cozy tea room to recover. There, everyone is talking about the weather except for one dark brown–furred fellow (perhaps a pine marten) who mentions that he’s found a basket of fruit. Lucy leaps to conclusions and trails him as he departs, all the way to Thomas’ door, where he reunites Thomas and basket. Lucy is embarrassed by her suspicious thoughts. The simple story of her realization and her attempt to make amends is told in deliciously rich language so porous it opens up glorious possibilities for the illustrations: “there were obstacles.” Perkins’ art, with its warm yellows, opulent blues, and soft browns of wintry forest and cozy dens, nicely complements the fine narrative arc. This could simply be a splendid holiday tale: There is cake, after all, and there are both connection and community. But the different colorings of the animals’ coats combine with light-feathered Lucy’s false, if unspoken, accusation of innocent, dark-brown Tobin to offer an allegorical storyline for readers who care to pursue it.

Cozy—and potentially provocative. (Picture book. 4-8)

Pub Date: Oct. 15, 2019

ISBN: 978-0-06-289487-8

Page Count: 48

Publisher: Greenwillow Books

Review Posted Online: June 15, 2019

Kirkus Reviews Issue: July 1, 2019

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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