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WINTERCAKE

Cozy—and potentially provocative.

A snowstorm, a missing basket of fruit, a misunderstanding, and an act of kindness lead to a warm winter tradition.

Thomas, a light-brown furry creature (maybe a groundhog), tells his yellow-feathered friend Lucy that he must have misplaced the basket that contained the fruit he’d intended to bake into his winter cake. “How mysterious,” Lucy says when Thomas tells her about the basket. But Lucy must hurry to get home, as the snow has begun to fall thickly, and she flies off into the wind. She collides with a tree branch and is momentarily stunned, then takes shelter in a cozy tea room to recover. There, everyone is talking about the weather except for one dark brown–furred fellow (perhaps a pine marten) who mentions that he’s found a basket of fruit. Lucy leaps to conclusions and trails him as he departs, all the way to Thomas’ door, where he reunites Thomas and basket. Lucy is embarrassed by her suspicious thoughts. The simple story of her realization and her attempt to make amends is told in deliciously rich language so porous it opens up glorious possibilities for the illustrations: “there were obstacles.” Perkins’ art, with its warm yellows, opulent blues, and soft browns of wintry forest and cozy dens, nicely complements the fine narrative arc. This could simply be a splendid holiday tale: There is cake, after all, and there are both connection and community. But the different colorings of the animals’ coats combine with light-feathered Lucy’s false, if unspoken, accusation of innocent, dark-brown Tobin to offer an allegorical storyline for readers who care to pursue it.

Cozy—and potentially provocative. (Picture book. 4-8)

Pub Date: Oct. 15, 2019

ISBN: 978-0-06-289487-8

Page Count: 48

Publisher: Greenwillow Books

Review Posted Online: June 15, 2019

Kirkus Reviews Issue: July 1, 2019

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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