A valiant effort, but Schwartz doesn’t quite pull it off.
Schwartz’s tenth (after Referred Pain, 2004, etc.) may be her riskiest, as it intertwines her familiar fictional territory with the 9/11 attacks on the World Trade Center.
Things start on a bright September morning when Renata, a linguist, wakes up in bed with her lover, Jack, a recently divorced social worker. After Jack leaves, Renata decides to walk across the Brooklyn Bridge to work, but, partway across, she hears screaming and looks across the river to see “a huge marigold bursting open in the sky.” With this opening, Schwartz focuses on how the attack evokes past traumas, leaving Renata unmoored and jeopardizing her relationship with Jack. We learn that Renata and her twin sister, Claudia, were close until age 16, when Claudia had a daughter (fathered, it turns out, by their uncle), gave the baby up for adoption, then drowned in a nearby river days later. Renata’s father died in a car wreck within the year, and her mother was institutionalized. When Claudia’s daughter, Gianna, was three, the adoptive parents dumped her on Renata, then 19. At seven, Gianna was snatched from a park merry-go-round, leaving Renata bereft and guilty. Now 34, Renata has trouble trusting Jack, or anyone, to stay in her life. Schwartz describes the emotional flavor of the days after 9/11 with great clarity, using quotes from speeches by the president, the makeshift signs put up by those in search of the missing, the memorials, the connections neighbors made in the midst of tragedy and the exhaustion of those who, like Jack, went to the scene to help. But it all bogs down in backstory, and Renata’s irrational conviction that a mute teenager she finds wandering the streets is her niece isn’t believable. Plus, Schwartz undercuts the emotion in scenes between Renata and Jack with detail about Renata’s linguistic interest in a culture that has many terms for loss.
A valiant effort, but Schwartz doesn’t quite pull it off.Pub Date: June 1, 2005
ISBN: 1-58243-299-6
Page Count: 304
Publisher: Counterpoint
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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