A savvy contribution to current debates.
What good is fiction?
Journalist Gold makes an incisive book debut with a thoughtful, often witty, examination of the causes and consequences of banning novels. “Most of the time,” she writes, “when we get anxious about the effects of fiction, we’re worried about mimetic responses—not so much from ourselves but from other people.” From ancient Greece to present-day America, book banners claim that they are protecting readers from ideas about reality that would harm them or undermine the community’s values. To Plato, for example, tales of gods behaving badly were “always endorsement and a social license for bad behavior.” Gold skewers the justification used by right-wingers that readers—especially children—will mistake a story for reality, “and that this mistake will lead them into unhealthy or disreputable situations.” “Cancel culture,” Gold contends, though not as virulent as outright banning, arises from the same “misguided presumptions” about fiction’s insidious power. For Gold, the crucial question is this: “How much can we expect of art and entertainment to fix our problems with reality, especially under our current economic and political system?” Gold refutes assertions from the left that “viewing and promoting something that the far right dislikes” is “a political act in itself,” and a virtuous act, at that. Reading about climate change, she reminds readers, doesn’t stop global warming. Gold looks at sci-fi, video games, movies, and TV to argue that media companies produce what is in their “financial best interest.” If an anti-capitalist novel were published, she writes, “it would just be a novel: it wouldn’t affect capitalism one way or another.” Still, Gold extols the impact of fiction: “We’re transformed by great writing,” she claims, “not beyond our own powers and capabilities but into them.”
A savvy contribution to current debates.Pub Date: Oct. 29, 2024
ISBN: 9781593767709
Page Count: 352
Publisher: Soft Skull Press
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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