Pushes the boundaries of noir in a welcome new direction.
Fifteen tales that capture the magic and mystery of everyday life in West Jerusalem, which has been the main area of Jewish population from the time of Israeli independence in 1948.
No volume about Jerusalem could ignore the occupation. This one kicks off with Yiftach Ashkenazi’s “A Great Bunch of Guys,” set at a checkpoint at the northern border of the city, and Ilana Bernstein’s ironically titled “You Can’t See the Occupation From Here,” which shows that even in the halls of a great university, you can’t ignore political realities. But most of the stories showcase different kinds of tension. In Liat Elkayam’s “Murder at Sam Spiegel,” a Mizrahi Jewish woman tries to find her place at a largely Ashkenazi film school. In Asaf Schurr’s “Chrysanthemums,” a father tries to conceal his daughter’s involvement in a perhaps-fatal traffic accident. Translator Greenspan chronicles an aging writer’s mental decline in “Top of the Stairs.” But in the volume’s longest and most iconic story, “Dos Is Nisht a Khazir,” Emanuel Yitzchak Levi and Guli Dolev-Hashiloni offer a double narrative with a single theme. Just as signs at the Biblical Zoo inform skeptical haredim in ungrammatical Yiddish that the peccary is not a pig and therefore can be included in the zoo’s collection of animals named in scripture, young Be’eri struggles to explain to his hoped-for girlfriend just what kind of synagogue he attends, where the Torah is read on Shabbat but men and women sit together in prayer led by a female cantor. The point of Be’eri’s struggle to define his congregation, like the point of the zoo’s signs, is to determine who belongs here. Whether these stories are peopled by soldiers, students, children, and parents, they keep asking, “Who belongs in Jerusalem?” and its corollary, “Who does Jerusalem belong to?”—the central questions of this volume, which handles them with heartfelt sensitivity.
Pushes the boundaries of noir in a welcome new direction.Pub Date: Nov. 7, 2023
ISBN: 9781617752292
Page Count: 240
Publisher: Akashic
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
BOOK REVIEW
A fresh and clever whodunit with an engaging twist.
A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.
Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”
A fresh and clever whodunit with an engaging twist.Pub Date: July 29, 2025
ISBN: 9781805335436
Page Count: 288
Publisher: Pushkin Vertigo
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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