Charming, playful, and extraordinary imaginings will galvanize young minds to find inspired answers to their own questions.
A child sits under the covers in the dark, calling out questions to a patient and inventive parent.
“Why is the ocean blue?” “What is the rain?” “Why do the leaves change color?” Caregivers and children can both identify with this familiar evening exchange. Never resorting to the titular phrase, the dad in this impressive picture book supplies incredibly imaginative, improvisational answers. The ocean’s blue because at night, “the fish take out guitars…[and] sing sad songs and cry blue tears.” Rain is actually the “tears of flying fish.” Leaves change color because “in autumn, when the world gets colder, the trees keep warm by setting quiet little fires in their leaves. / By winter, their branches have all burned up.” The exacting, exquisite phrasing electrifies readers, and full-bleed illustrations pull them into an extraordinary alternate universe. The child’s big questions hover in enormous, colored bubbles atop a black background with the cozy bedtime scene. Answers appear on a double-page spread that follows, the father’s words floating inside smaller white bubbles set on the fantastical rendering. Matte paper, flat colors, conventional type, and a mid-20th-century look to the light-skinned people conjure a retro feel, allowing the unexpected, original answers to stand out even more.
Charming, playful, and extraordinary imaginings will galvanize young minds to find inspired answers to their own questions. (Picture book. 6-10)Pub Date: Sept. 10, 2019
ISBN: 978-0-7636-9680-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: June 9, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
BOOK REVIEW
Best for readers who have clearly indicated they would like to take their writing efforts to the next level.
A young white girl writes and illustrates a story, which is critiqued by the narrator as it is created.
The girl begins her story by drawing a Hero. Then she thinks maybe a Heroine would be better. Then she decides both will work. She places them in “a good town, filled with good people, called our Setting.” The narrator, an unseen editor who lurks over the artist’s shoulder, tells the storyteller she needs to put in some Conflict, make the Evil Overlord scarier, and give it better action. This tongue-in-cheek way of delivering the rules of creative writing is clever, and paired with Le Huche’s earnest, childlike illustrations, it seems to be aimed at giving helpful direction to aspiring young creators (although the illustrations are not critiqued). But the question needs to be asked: do very young writers really need to know the rules of writing as determined by adults? While the story appears to be about helping young readers learn writing—there is “A Friendly List of Words Used in this Book” at the end with such words as “protagonist” and “antagonist” (glossed as “Hero and Heroine” and “Evil Overlord,” respectively)—it also has a decidedly unhelpful whiff of judgment. Rules, the text seems to say, must be followed for the story to be a Good one. Ouch.
Best for readers who have clearly indicated they would like to take their writing efforts to the next level. (Picture book. 6-10)Pub Date: Sept. 12, 2017
ISBN: 978-1-4814-2935-1
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Will leave readers as happy as a pig in mud.
It’s good to embrace change.
Although an unseen narrator attempts to tell an accustomed version of “The Three Little Pigs”—here named Alan, Alfred, and Alvin Albert—their younger sister, Alison, wants to get in on the action because she’s a natural storyteller. The narrator grudgingly allows Alison to tag along, but her added bits of flavor and the unexpected personalities of her brothers soon send the story off its traditional tracks and into hilarious hijinks. For example, Alan’s love of building allows him to design a functional house made of plastic drinking straws, Alfred’s stick house is actually constructed by Alan because Alfred’s clearly a star and not stage crew, and Alvin’s shacking up in a pumpkin behind Cinderella’s castle because he’s…not the crispiest piece of bacon on the plate. Alison’s quick thinking leads the brothers to be one step ahead of the wandering wolf. When the narrator hits their limit, a conversation with Alison proves that collaboration can lead to unexpected but wonderful results. The story flows well, accompanied by energetic cartoon art, and the choice to color-code the speech bubbles of each character (and the text of the narrator vs. Alison) ensures readers will be able to follow the snappy dialogue. Those who love to make up their own stories will be inspired, and readers who march to the beats of their own drums will be delighted. (This book was reviewed digitally.)
Will leave readers as happy as a pig in mud. (Picture book. 6-10)Pub Date: Oct. 25, 2022
ISBN: 978-1-5420-3243-8
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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