Story after story of silly surprises and sounds.
Apartment occupants crane their necks and wonder what’s making all the ruckus, while readers, conveyed up from floor to floor, get a voyeuristic view inside each apartment and see exactly what’s making all that noise.
A brown-skinned child with close-cropped, textured black hair, asleep in the dark, bolts upright with the first startling sounds, stands on the bed, and asks the ceiling, “What’s going LALALA above my head?” A close-up cross section of the building shows the child’s room as well as a partial view of the upstairs apartment from its occupant’s waist down. What would be “going LALALA” in orange-striped trousers and shoes with spats? A page turn reveals a flamboyant white opera singer belting out notes before a music stand, his wild hair a corona of corkscrews. Below his feet and floorboards, readers see the top portion of the child’s blue walls and the words, “A man is singing opera above my head.” Each successive upper floor thrums (“ma ma ma,” “BAA BAA BAA,” “HAW HAW HAW”), lobbing delicious opportunities to enunciate at readers. Such punchy phonetic words beg to be mouthed loudly with lips, tongue, and jaw. Zany illustrations perfectly evoke cheek-by-jowl apartment living’s intimacies, frustrations, and absurdity and continue to surprise with the antics happening one flight up. Variously patterned wallpapers exemplify the particular personalities of the building’s inhabitants, who vary in color, age, temperament—even species.
Story after story of silly surprises and sounds. (Picture book. 2-6)Pub Date: March 7, 2017
ISBN: 978-1-59643-967-2
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
More gift book than storybook, this is a meaningful addition to nursery bookshelves
A young child explores the unlimited potential inherent in all humans.
“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.
More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)Pub Date: Sept. 15, 2019
ISBN: 978-1-946873-75-0
Page Count: 40
Publisher: Compendium
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
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