by Mac Barnett ; illustrated by Sarah Jacoby ‧ RELEASE DATE: May 21, 2019
A runaway success.
The important thing about this review is to say this picture book is great.
Here and now, we say to Barnett and Jacoby: We SEE what you’ve done. You’ve paid tribute to a woman who changed picture books. Forever. You’ve acknowledged her queerness, telling readers she fell in love “with a woman called Michael / and a man called Pebble.” You’ve honored her words with references to such titles as Goodnight Moon, The Runaway Bunny, The Little Fur Family, and more. You’ve sat with her respect for child readers as thinking, feeling, whole beings, and you’ve invited us, your readers, and hers, to do the same. You’ve framed her conflict with a stuffy librarian as an epic, funny battle. Just like Brown’s texts, yours is quirky, and sweet, experimental, funny, and at times heartbreakingly gorgeous. And Jacoby channels Clement Hurd, and Leonard Weisgard, and Garth Williams, and so many other Brown collaborators—and yet? Jacoby remains herself. Just like Margaret Wise Brown was herself, her whole life long. Or her whole life short, really, right? Isn’t it a shame she died so young? At 42—as you document in this picture-book biography, this love letter to her life, and to her astonishing legacy to children’s literature. Honestly? We don’t know what more to say. But we guess we will say this: have a carrot. You’ve earned it. And so much more. The important thing is that you wrote this picture book—this picture book about Margaret Wise Brown.
A runaway success. (Picture book/biography. 5-adult)Pub Date: May 21, 2019
ISBN: 978-0-06-239344-9
Page Count: 48
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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PERSPECTIVES
by Jacqueline Woodson ‧ RELEASE DATE: Aug. 28, 2014
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.
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New York Times Bestseller
Coretta Scott King Book Award Winner
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National Book Award Winner
A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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SEEN & HEARD
by Alyssa Bermudez ; illustrated by Alyssa Bermudez ‧ RELEASE DATE: Aug. 17, 2021
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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