An unremarkable kickoff to a new series by Day, who writes other cozies under several bylines (Death Over Easy, 2018, etc.)....
Cozy mystery book club members try their hands at solving a real-life murder.
Mackenzie Almeida is on her way home from a book club meeting when she stumbles over the body of Jake Lacey. Mac’s boyfriend, baker Tim Brunelle, appears moments before the police arrive, and new police chief Victoria Laitinen, her old high school classmate, is suspicious when Mac admits to having had words with Jake over a bad roofing job earlier in the day. Even worse, the murder weapon, a knife plunged into Jake’s neck, appears to be her half brother Derrick’s custom fishing knife. Although Mac doesn’t mention this last fact to Victoria, she soon realizes that she may have to plow any skills she picked up from reading mysteries into solving one. When Derrick proves elusive, she tries to track him down despite the problems she’s having at her bike shop. Mechanic Orlean Brown is showing up late or not at all, and Derrick, who helps out, is still missing. So her grandmother offers to work in the shop while she’s out hunting for clues. Her book club friends pitch in, using group email to keep in touch. The amateurs turn up a young woman who looked happy before Jake’s murder and sad afterward along with a high-powered real estate agent from California Mac overhears talking about a mysterious deal. But the summer season brings so many strangers to Cape Cod that it’s hard to sift through them for Jake’s killer. Derrick finally turns up after fighting a losing battle with his alcoholism, but Mac, certain that he’s innocent, continues to investigate, earning several death threats and the realization that finding a killer is a lot harder than it appears in her books.
An unremarkable kickoff to a new series by Day, who writes other cozies under several bylines (Death Over Easy, 2018, etc.). Pleasant characters and local color just aren’t enough.Pub Date: Dec. 18, 2018
ISBN: 978-1-4967-1506-7
Page Count: 304
Publisher: Kensington
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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