In her latest foray into adult fiction (after A Severed Wasp, 1983, etc.), veteran author L'Engle recounts—with characteristic lucidity and wisdom—the tale of a dying actor paying tribute to the eight wives and eleven children he has loved. They not only share a name, they share a personal history: King David of the Bible and David Wheaton, well-known actor of stage and screen—each enjoyed many wives, saw their sons killed and their women martyred, but nevertheless managed to live long, deep, and fruitful lives. It makes sense, then, that when Wheaton's daughter, Emma, marries a rising young playwright committed to re-creating King David's life for the stage, Wheaton becomes obsessed with playing the leading role. Life hasn't worked out so neatly for the Wheatons, though: Niklaas Green, the playwright, has proved unable to complete the play; his marriage to Emma, herself now a successful stage actress, is disintegrating; and David has succumbed to cancer in his old age and wants only to bid those closest to him farewell. As the great actor rests aboard his comfortable boat, the Portia, tended by his most recent wife, Emma cooks meals, entertains her father, and reads through yellowed drafts of Nik's "David" play. Scenes of King David's life give rise to recollections of the Wheaton clan's own triumphs and tragedies: the loss of children in infancy, two sons' deaths during WW II, an assault on Emma by her older half-brother. As surviving ex-wives and grown children arrive for a final goodbye, they join David and Emma in meditating on the meaning of all their lives—and grope, even as the curtain lowers, toward what counts most. King David's life may prove less fascinating to the reader than it is to these characters. Nevertheless, the gentle, rhythmic quality of L'Engle's prose is perfectly attuned to this fictional aquatic cruise. A memorable work.
Pub Date: Oct. 1, 1992
ISBN: 0-374-12025-0
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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