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TWO-PART INVENTION

THE STORY OF A MARRIAGE (THE CROSSWICKS JOURNAL, BOOK 4)

L'Engle begins this sustaining memoir with scences from her own unorthodox childhood, then contrasts them with the standard heartland variety husband Hugh Franklin enjoyed, but what occupies center stage here are his intense, progressive bout with bladder cancer and their flinty responses and pained accommodatings until his death last year. Madeleine met and married actor Hugh Franklin in her 20s, just after A Small Rain appeared in 1945. They bought Crosswicks, the Connecticut property central to A Circle of Quiet, raised a family, and pursued their separate careers—after years on the stage, he worked as Dr. Charles Tyler on TV's All My Children. L'Engle's recollections of those years offer a welcome balance to the grim home and hospital sequences that come to dominate her thoughts as Hugh's condition worsens. A large circle of friends and family participate in the sickbed rituals and share the L'Engles' serial decisions until, as one procedure after another fails to restore his health, Hugh insists that "This is really one thing too many." Ultimately, they face the always onerous task of preparing to say good-bye. Franklin's doctor laments, "One domino fell over another." Those who treasure Lael Wertenbaker's classic Death of a Man or, more recently, Gerda Lerner's A Death of One's Own will find that L'Engle travels through some of the same interior landscapes; her familiar spiritual leanings—at one point, she considers exorcism—may appeal to others: and her memories of her and Hugh's early years together with friends like Jean and Walter Kerr add to the outreach.

Pub Date: Oct. 24, 1988

ISBN: 0062505017

Page Count: 242

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: Sept. 15, 1988

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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