by Madhur Jaffrey ‧ RELEASE DATE: Oct. 11, 2006
Readers will lap up this mouthwatering memoir and hungrily await a sequel.
A beloved food writer recalls her youth through the lens of cuisine.
Jaffrey (Market Days, 1995, etc.) grew up in India during the 1930s and ’40s, the fifth child of two doting, well-heeled parents. Her family was Hindu, but embraced certain touches of Muslim culture: The women wore both the loose culottes favored by Muslims and long, traditional Hindu skirts; at school, Jaffrey studied alongside both Muslim and Hindu children. Her story has no clear narrative arc and no tension that requires resolution, but the meandering is pleasant. Almost every vignette includes a description of food. When she was born, her grandmother spelled out the word Om in honey on her tongue, and Jaffrey’s first name translates to “Sweet as Honey.” Summer afternoon thirsts were slaked with fresh lemonade or a mixture of fruit syrup and water. Monsoon season brought its own sweet treats of chilled mango juice and “pretzel-shaped jabelis” dipped in milk. A long bout of chicken pox was made bearable by her grandmother’s chutney. Even Partition had culinary consequences: Hindus who headed into India from what became West Pakistan introduced Delhi to Punjabi food, including the terrific paneer dishes and tasty tandoori specialties that are now staples of Indian restaurants. Punjabis also loved dairy products; they made the richest yogurt, and the creamiest lassi, a cool yogurt beverage. As an adult, Jaffrey went to college and then moved to England to study drama. Not until she landed in London did she really begin to appreciate her mother’s cooking. She wrote home, begging for instruction on preparing the delicacies of her youth, and soon airmail letters thick with recipes began to arrive. Fifty pages of those recipes round out the text.
Readers will lap up this mouthwatering memoir and hungrily await a sequel.Pub Date: Oct. 11, 2006
ISBN: 1-4000-4295-X
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
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by Madhur Jaffrey & illustrated by Amanda Hall
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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