A swashbuckling space adventure with a diverse cast sure to capture comic-lovers.
A junior partner on a spaceship crew is sent on a universe-defying adventure in Visaggio’s graphic novel.
In the far-off 41st century, Vigil Virgo is the daughter of two “archaeoxenologists” who were thrown out of the scientific research organization called “the Intelligence” when they discovered now-lost evidence that their universe was constructed and abandoned by an extradimensional civilization. After their disappearance into the night following their expulsion, Vigil has mostly been raised by their longtime friend Odysseus Rex. Vigil is determined to not follow in her parents’ heretical footsteps (“my parents were crackpots”), but after being denied her research subject by the Intelligence, she decides to join Odysseus’ spaceship crew as junior partner. The partnership works well until they come across a mysterious artifact they refer to as “the sarcophagus.” Initially unable to glean any information from the strange black box, when Vigil discovers a map hidden within its depths after an unexpected and up-close encounter, she’ll do anything to discover the secrets of the universe that those coordinates offer—even if she’ll never be the same after. Oeming’s illustrations are lively and expressive, with page layouts that keep the eye moving inexorably onward. Some scene transitions are too fast-paced to follow––Vigil’s first encounter with the sarcophagus abruptly cuts from her arm being subsumed by the mass to a newly introduced character with little setup––and the flashbacks can be confusing as the reader tries to figure out when or where the characters are. The eventual introduction of alternate versions of the cast charting different paths becomes harder to parse as the narrative progresses. While Visaggio’s dialogue is bursting with character, it doesn’t make up for the opaqueness of the story and the confusing twists and turns taken by the plot. However, Soma’s use of color is a great addition to the art and text, signaling changes in mood, amplifying certain emotional beats, and serving as a subtle indication for changes in time or place. This is an SF adventure that starts off with a bang and ends with a head-scratch—hopefully, subsequent volumes will answer more questions.
A swashbuckling space adventure with a diverse cast sure to capture comic-lovers.Pub Date: Jan. 21, 2025
ISBN: 9781545815878
Page Count: 128
Publisher: Mad Cave Studios
Review Posted Online: Nov. 26, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.
Superman confronts racism and learns to accept himself with the help of new friends.
In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)Pub Date: May 12, 2020
ISBN: 978-1-77950-421-0
Page Count: 240
Publisher: DC
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet bedtime story.
A boy and his stuffed bear head into the woods.
Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.
A sweet bedtime story.Pub Date: Oct. 8, 2024
ISBN: 9780593729960
Page Count: 128
Publisher: One World/Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
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