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THE BOY WHO LOST HIS SPARK

A wise and gentle tale about the necessity of mischief to distract us from ourselves.

Be careful what you claim to disbelieve. It may be listening.

Jem has been overflowing with anger ever since his mother moved him and his little sister, Verity, from the city to the country, far from their old life and friends. As his unhappiness mounts, strange things begin happening: Jem discovers his shoes filled with chestnuts; the family’s clothing is shredded. Verity blames a “nouka,” a mysterious being said to live in the nearby hill. Jem’s frustrations build until one day he declares, “I don’t believe in the nouka!” These words trigger the local nouka, a furry black creature who does indeed exist and who likes warm fires and pranks—and who turns its attention to the boy, ramping up the misdeeds. For Jem, accepting his new home means also accepting the existence of the nouka, twin problems for a boy determined to be sad and serious. In this lengthy picture book, delicate watercolors illuminate the quiet beauty of the countryside, imbuing both Jem’s slowly dawning wonder and the nouka’s tiny world with magic and poignance. Acclaimed adult novelist O’Farrell’s language is marked by elegant turns of phrase, as when Jem is described as feeling “so low and listless, sitting there, as if his insides had been stuffed with damp rags.” The characters present white. This U.K. import closes with music and lyrics to “The Song of the Nouka,” based on the Irish jig “Seanduine Dóite.”

A wise and gentle tale about the necessity of mischief to distract us from ourselves. (Picture book. 5-9)

Pub Date: April 1, 2025

ISBN: 9781536233933

Page Count: 112

Publisher: Walker US/Candlewick

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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