YOU COULD MAKE THIS PLACE BEAUTIFUL

The noted poet digs further into life after divorce.

The title of this book is the last line of Smith’s 2015 poem “Good Bones,” which went viral. Unfortunately, “my marriage was never the same after that poem.” The author first charted her response to the pain of her husband's infidelity in a series of Twitter posts that became a well-received book called Keep Moving. Then came Keep Moving: The Journal, and now, this memoir tracking Smith’s attempt to heal herself. Formally, it has much in common with This Story Will Change, Elizabeth Crane's recent book on the same topic. Both Crane and Smith employ the popular technique of using many short sections with long, ironic, and/or repeating titles. Here, there are 12 chapters titled “A FRIEND SAYS EVERY BOOK BEGINS WITH AN UNANSWERABLE QUESTION,” suggesting a dozen different possible responses, and there are four chapters titled “THE MATERIAL,” which ask whether this book can be of any value to others. Smith combines these elements with other narrative gimmicks, such as addresses directly to the “Reader,” single quotes from other writers floating on a page, italicized sections, and a few of her own poems. Some readers will skim these sections, but without them, this would have been more of a magazine article than a full book. The highlight of the text is the author's children, Violet and Rhett. They say such great things, both funny and sad, blessedly not metafictional, often profound. “A few months after my husband moved out of the house,” Smith reports, “I was trying to calm and reassure Rhett, then six years old, at bedtime. He said, ‘I know, I know. I have a mom who loves me, and I have a dad who loves me. But I don’t have a family.’ ” It’s arguably the most memorable passage in the book.

As a wise woman once entreated herself, keep moving.